Artist book by stanley brouwn, produced by the Stedelijk Museum voor Actuele Kunst, Ghent in 2001.

Produced on the occasion of Tip of the iceberg: selected works 1985–2001 at the University Art Museum, University of Queensland, 16 February–28 March, 2001 and The Ian Potter Museum of Art, The University of Melbourne, 3 July–9 September, 2001.

Working together since the early 1980s, Janet Burchill and Jennifer McCamley have developed an expansive framework of formal and thematic concerns drawing broadly on the histories of art and design, film, literature and cultural theory. Influenced by feminism, and applying an appreciation and critique of modernism, they make visually stunning artworks across an ever-expanding repertoire of mediums—from painting and sculpture, photography and printmaking, to neon light and textile works.

Produced on the occasion of Josephine Pryde’s exhibition Serena at Kunstverein Braunschweig, 28 April–10 June, 2001.

Pryde’s work attacks stock photographic aesthetic by technically reworking and reconfiguring images and by addressing the conditions of their display. The surfaces of glossy fashion photographs are disrupted by the insertion of aluminium tubes, which emphasise their ‘objectness’ and their status as artworks. Colourful photoshop juxtapositions of MRI scans of the human foetus and macro-lens desertscapes are unnervingly loaded. They refer to the history of darkroom experimentation and to contemporary medical-imaging techniques. Pryde doesn’t reject the language of photographic imagery, rather she adopts it and layers it up. Her guinea pig portraits are inspired by ‘cute pet photography’ but her choice of subject conjures associations with laboratory research.

Texts by Pamela M. Lee, Pauline van Mourik Broekman and Josef Strau.

Produced on the occasion of Henrik Olesen’s 2001 exhibition at Kunstverein Braunschweig. With texts by Sabeth Buchmann and Karola Grässlin.

The project examined the consequences of legal restrictions on identity and lifestyle. It dealt with the criminalization of homosexuality and documented cultural peculiarities, the current legal situation and pictorial representations from different countries of the world.

This artist book, entirely conceived and designed by Kai Althoff, features drawings, photographs and installation views of his exhibition Aus Dir at Galerie Daniel Buchholz, Cologne.

Booklet produced on the occasion of the exhibition Nieuw Licht, 8–31 March, 2001 with Kris van Dessel, Piet Dirkx, Marc Nagtzaam, Joeri De Winter.