Produced on the occasion of Rosemarie Trockel’s exhibition Dessins, 11 October 2000–1 January 2001 at Centre Georges Pompidou, Paris.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Rosemarie Trockel’s exhibition Dessins, 11 October 2000–1 January 2001 at Centre Georges Pompidou, Paris.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition No, Not That One It’s Not A Chair at Galerie 1900 2000, Paris, 1 January, 2000.
Curated by Elein Fleiss and featuring John M. Armleder, Richard Artschwager, Alan Belcher, Guillaume Bill, Marie Bourget, Philippe Cazal, Bill Culbert, Nancy Dwyer, Rainer Ganahl, Dominique Gonzalez-Foerster, Thomas Grünfeld, Edward Kienholz, Bertrand Lavier, Louise Lawler, Ken Lum, Cady Noland, Jean-Luc Vilmouth.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of German Open, Gegenwartskunst in Deutschland at the Kunstmuseum Wolfsburg, 13 November, 1999—26 March, 2000. Including artists: Franz Ackermann, Kai Althoff, John Bock, Simone Böhm, Cosima von Bonin, Marc Brandenburg, Matti Braun, Sunah Choi, Peter Dittmer, Olafur Eliasson, Stefan Exler, Christian Flamm, Peter Friedl, Alexander Györfi, Elmar Hess, Stefan Hoderlein, Christian Hoischen, Christian Jankowski, Stefan Kern, Andree Korpys/Markus Löffler, Michel Majerus, Maix Mayer, Jonathan Meese, Max Mohr, Manfred Pernice, Daniel Pflumm, Peter Pommerer, Neo Rauch, Tobias Rehberger, cleaning company, Daniel Richter, Gregor Schneider, Tilo Schulz, Heidi Specker, Silke Wagner, Johannes Wohnseifer and Joseph Zehrer.
This comprehensive overview of Ilya Kabakov’s installation work of the 1990s contains over 100 images across more than 400 pages, and includes Kabakov’s own commentary on his works.
Ilya and Emilia Kabakov are American artists of Russian descent who work together on environments that merge elements of everyday life with elements of the conceptual. Although their work is deeply rooted in the social and cultural context of the Soviet Union in which the Kabakovs grew up, it nevertheless has universal significance.
Produced on the occasion of Henrik Olesen’s participation in the group exhibition No Swimming at the Kunstverein München (2000).
Produced on the occasion of Kai Althoff’s exhibition Stigmata aus Großmannssucht at Galerie Ascan Crone, Hamburg, 2000. With a text by Michaela Eichwald.
Designed by Yvonne Quirmbach.