Produced on the occasion of documenta IX, Kassel, 13 June–20 September, 1992.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of documenta IX, Kassel, 13 June–20 September, 1992.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibitions; André Cadere at Institute of Contemporary Art, P.S. 1 Museum, 15 October–10 December, 1989 and L’Hommage André Cadere at Musée d’Art Moderne de la Ville de Paris, 6 July–4 October, 1992.
André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.
*Please note this publication is secondhand and has some traces of previous ownership.
Comprehensive survey of early Japanese abstract painting (and photography). Including Koshiro Onchi, Iwata Nakayama, Saburo Hasegawa, Kiyoshi Koishi, Ryuichi Amano, Ei-Q and many more.
Produced on the occasion of Josef Dabernig’s exhibition at Secession, Vienna, 30 September–31 November, 1992. With texts from Josef Dabernig, Christian Kravagna and Adolf Krischanitz.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Josef Dabernig’s exhibition at Secession, Vienna, 30 September – 31 November, 1992. With texts from Josef Dabernig, Christian Kravagna and Adolf Krischanitz.
Produced on the occasion of the first retrospective of Brazilian artist Hélio Oiticica (1937–1980) at Witte de With Center for Contemporary Art, Rotterdam, 23 February–26 April, 1992.
Oiticica is widely regarded as one of Brazil’s leading artists of the twentieth century and a touchstone for much contemporary art made since the 1960s, primarily through his freewheeling, participatory works of art, performative environments, avant-garde films and abstract paintings.
*Please note this publication is secondhand and has some traces of previous ownership.