A publication printed on the occasion of MOMMY, a group show that considered the mother, with work by Lutz Bacher, Susan Cianciolo, Sonya Hamilton, Anne-Mie Van Kerckhoven, Lynn Hershman Leeson, Eliot Porter, Jeff Preiss, Aura Rosenberg, Diane Simpson, Barbara T. Smith, Frances Stark, and Rosemarie Trockel. It also included new site-specific works by Cathy Wilkes and Anicka Yi, and a performance by Karin Schneider.

Selected writings by Lydia Davis, Doris Lessing, Elena Ferrante, Lisa Baraitser, Silvia Federici, Sara Ruddick, Judith Butler, Lee Edelman, Thomas Nagel, Anne Truitt, and Maggie Nelson.

A PDF of the reader can be downloaded here.

KP Brehmer (1938–97) found new ways to visualise global capitalism which are of increasing relevance today. In collaboration with his Estate, this exhibition presents drawings, prints, paintings, films, objects and publications, many of which have never been exhibited before. This booklet was produced on the occasion of KP Brehmer. Real Capital–Production, 25 September–30 November 2014 at Raven Row, London, the first solo exhibition of Brehmer’s work in the UK.

This publication represents one of the many spaces occupied by Doug Ashford’s work. As the first collection of his writings and conversations, it attempts to encompass the changing ideas to which the artist has subscribed over the past 25 years. Doug Ashford is a teacher, artist, and writer. He has taught design, sculpture, and theory at Cooper Union in New York since 1989. From 1982 to 1996, his primary artistic activity was as a member of Group Material, and since then he has gone on to paint, write, and produce other cross-disciplinary projects.

Designed by Marc Hollenstein.

Produced on the occasion of the exhibition The IMAGE in Singular at Amer Gallery, Vienna, 27 October–28 November, 1987. Including the artists; Fareed Armaly, Alan Belcher, Larry Johnson, David Robbins, Gerwald Rockenschaub, Wolfgang Schrom, Josef Strau and Heimo Zobernig.

Located in what is now Central Queensland, Australia, Carnarvon Gorge is one of Australia’s most important historical and natural landmarks. For many centuries, the gorge has been a canvas on which Indigenous artists and communities have imprinted their histories, through stenciled images of weaponry and shields, domestic tools, ceremonial objects, and indexes of the human body. Brisbane-based artist Dale Harding—a descendant of the Bidjara, Ghungalu, and Garingbal peoples of Central Queensland, born in 1982—approaches the site as a map. By making copies of the represented objects, he traces their formal and material lineage, which is often embedded in the colonial narrative by their problematic inclusion in ethnographic collections and museums.

Designed by Žiga Testen.

Flyer produced on the occasion of Apropos Papier: Willem Oorebeek, Joëlle Tuerlinckx, Heimo Zobernig at the Leopold Hoesch Museum, 7 April–7 July, 2019

Apropos Papier is an exhibition series that started at the Leopold Hoesch Museum in 2018 to coincide with the reopening of the neighbouring Paper Museum in Düren. This series presents international artists whose work is characterised by the examination of paper, an important material for the city of Düren.