Produced on the occasion of Howardena Pindell’s exhibition Rope/Fire/Water at the Shed, New York, 16 October, 2020–28 March, 2021.

Howardena Pindell is an American artist, curator, and educator. She is known as a painter and mixed media artist, her work is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation.

Produced on occasion of Jacob Kassay’s exhibition at R.M. Schindler’s Fitzpatrick-Leland House in Los Angeles, 26–27 September, 2015.

This artist’s book has been developed as an index—with relative digitally drawn blueprints, structural diagrams and basic dimensional specifications—for the entire series of wooden stretchers that are part of “Remnants,” previously exhibited at The Kitchen and 303 Gallery in New York (2013).

“Recuperating leftover pieces of canvas that remain from those he cuts and stretches, Jacob Kassay found himself […] with a collection of scraps that still had value. More specifically, these scraps were of value to Kassay because they indexed his system of production. Once again, he seized upon a system that fetishizes his hand but discounts any aesthetic decision. These canvas forms, which Kassay calls ‘remnants,ʼ were made negatively through the creation of silver paintings and other works.”—Peter Eeley

Produced on the occasion of two exhibitions by Tetsumi Kudo; Cages, Peintures À L’ordinateur at Galerie Beaubourg, Paris and Cages, Multiples at Galerie Vallois, Paris, 16 February–12 March, 1977.

With a text reprinted from the arTitudes, Number 15, February 1977.

Invitation produced on the occasion of the exhibition, Marcel Broodthaers. plaques/tekeningen/objekten at Helen van der Meij, Amsterdam, 21 February–22 March, 1978.

*Please note this publication is secondhand and has some traces of previous ownership.

This four-volume set of publications focuses on Christopher Williams’ theatrical work Stage Play, first presented in 2017 at Miller’s Studio in Zürich. Housed in a slipcase, it contains documentation and the playscript for his eponymous play, related publicity and research documents, the artist’s series of open letters, and a related interview he conducted with historian Markus Krajewski on the ceramic tile façades of post-war architecture in Cologne. In addition to two critical essays by McDonough, this publication is largest collection to date of Williams’ writing.

Contributions by Christopher Williams, Tom McDonough, Markus Krajewski, Petra Hollenbach, Fredi Fischli, Niels Olsen & Oskar Rindlisbacher.

An anthology that examines the poetics and politics of interior experience within the frame of contemporary art. Through diverse discursive modes—commissioned essays, conversations and talks, historical writings, and artistic projects—this anthology, the first CCS Readers volume, examines the poetics and politics of interior experience within the frame of contemporary art.

Texts by Anni Albers, Doug Ashford, Gaston Bachelard, Angelo Bellfatto, Nova Benway, Gregg Bordowitz, Johanna Burton, Theresa Choi, Beatriz Colomina, Lynne Cooke, Moyra Davey, Tom Eccles, Diana Fuss, Jennifer Gross, Elizabeth Grosz, Roni Horn, Jenny Jaskey, Susanne Küper, Elisabeth Lebovici, Nathan Lee, Zoe Leonard, Dorit Margreiter, Josiah McElheny, Helen Molesworth, Georges Perec, Juliane Rebentisch, David Reed, Lisa Robertson, Joel Sanders, Virginia Woolf, Amy Zion.