Produced on the occasion of the exhibition Marian Zazeela: Drawings at Kunst im Regenbogenstadl, Polling, 2000. Over the past six decades, Zazeela was a central figure of the New York avant-garde. Her expansive practice encompassing painting, calligraphic drawing, film, light projection, stage design, sculpture, and light environments applied rigorous formal procedures to enact states of transcendence.

In 1962, Zazeela produced a series of highly singular drawings that charted the course of her subsequent work. Employing both improvisation and an increasing array of rigorous compositional techniques, Zazeela’s ornamental shapes render the page a concentrated visual field of startlingly complex design.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Example: Dix-Huit Leçons sur la Société Industrielle at the Contemporary Art Gallery, January 13 – March 6, 2005.

It includes a forward by Christina Ritchie, essays; Mechanization takes command: Modernization, Terminable and interminable by John Miller and Some References for Christopher Williams by Claudia Beck.

Designed by Christopher Williams with Yvonne Quirmbach.

Over the past two decades, Australian artist Nicholas Mangan has created a compelling body of work that considers humanity’s relationship to the natural world, taking everything from coral rubble to cryptocurrency as a point of departure.

Mangan’s art locates human history in the context of deep geological time. With a focus on Australia’s place in the Pacific, his works reflect on how social, political and economic upheaval are connected to the material world, offering new perspectives on pressing global issues, such as the impact of extractive mining on natural resources and climate change.

Designed by Žiga Testen and Stuart Geddes.

An exploration and anthology of the work of Charles Ives, Gertrude Stein, John Cage, Merce Cunningham and Robert Wilson. In German and English.

*Please note this publication is secondhand and has some traces of previous ownership.

In response to publishers’ demands that writers possess a body of reviews of their work, Richard Kostelanetz compiles all known reviews and mentions of his work in the press.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Jessica Warboys: A l’etage at Jeu de Paume, 24 March–15 May, 2011, curated by Raimundas Malašauskas.

You can see more on the exhibition here.