Produced on the occasion of Heimo Zobernig’s exhibition at Galerie Soucasného Uméni, Dúm Uméni, 29 November–31 December, 2007.
Completed shortly before John Morgan’s death in September 2025, Baskerville’s Teardrop Explodes: A Selection of Books as Muses gathers 31 books that shaped his imagination. Chosen for their visual presence and associative charge, these volumes influenced his practice as a book designer in distinct ways. Together, they form a personal Library of Muses reflecting the contradictions and layered sensibilities of his work. Selections range from titles prized for colour, materiality, or attitude to those evoking memory, romance, anxiety, humour, or failure. Each Muse carries its own energy – heroic, imperfect, excessive, modest, resonant – guiding Morgan’s creative direction and vision.
A video catalogue of the exhibition CONTINENTAL DRIFT (Conceptual Art in Canada: The 1960s and 70s) at Badischer Kunstverein, Karlsruhe, Germany, 19 April – 8 September, 2013. It was then compiled and *extremely compressed* into 24 minutes and 1 second by Dexter Sinister. The video is in English with an accompanying German transcript in this booklet. CONTINENTAL DRIFT was the first major survey of conceptual art in Canada, to be presented in Europe. It followed the emergence of local, hybrid practices and global networks within the context of the 1960s and 70s economic, social, and technological revolutions.
Had it been produced, Maryanne Amacher’s media opera Intelligent Life would have represented the summation of the composer’s concept to date. As she wrote to John Cage in the autumn of 1983, following the untimely deaths of the opera’s patrons—Wies Smals, founder of De Appel, and curator Josine van Droffelaar, in a plane crash in the Swiss Alps—she would have at last had the support to “communicate the finest of my thought to others.” Amacher’s serial, intended for broadcast, sought to transmit her evolving ideas about perception, listening, and composition to a broader public—shifting music away from “nod and tap recognition” toward a transformative practice that could awaken intelligence to “unrecognized and new perceptual modes.”
Produced on the occasion of Megan Francis Sullivan’s solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project’s production and reception. The publication gives form to seemingly ephemeral connections that condense during the preparation of an exhibition. The booklet combines research material, installation photographs, as well as a series of drawings that were not in the show.
Edited by Melanie Ohnemus. Designed by Julie Peeters.
Produced on the occasion of the group exhibition Show Personality, Not Personal Items at Vleeshal, Middelburg, 28 January–1 April, 2018, including artists Leda Bourgogne, Nora Turato, Evelyn Taocheng Wang and curated by Roos Gortzak. Designed by Dorothee Dähler.