Exhibition pamphlet produced on the occasion of the exhibition Who’s Werner? at Kunstverein Amsterdam, 23 November–21 December, 2019. Curated by Yana Foqué, Who’s Werner? is a spacial conversation that explores artistic practices that have become intertwined and focuses on the role of a figure whose work is commonly kept a public secret. It looks into some mutualistic relationships between artists in various disciplines and their assistants; producers; sometimes lovers.

Including the work of Céline Condorelli, Denise Scott Brown, Elle Burchill, Ian Hamilton Finlay, Raoul De Keyser, James Langdon, John Baldessari, Jonas Mekas, Lucy Skaer, Margot Sandeman, Norman Laich, Paul Robbrecht, Robert Venturi, Simon Harlow, Jan-Philipp Hopf, Laura Kaminskaitė.

Designed by Marc Hollenstein.

Conceived and designed by Wolfgang Tillmans, and published in association with the exhibitions Rebuilding the Future at IMMA, Dublin and Today Is The First Day, at WIELS, Brussels, this richly illustrated artist’s book explores the latest developments in Tillmans’s work over the last three years. Spanning the artist’s multifaceted approach to image-making, video, performance, music and political activities, presenting newly commissioned texts from contributors including novelist Olivia Laing, historian Brian Dillon, curator Catherine Wood, and geologist Dr David Chew. The scope of the book includes over 30 pages featuring his set design for the English National Opera’s production of War Requiem, recent portraits, and detailed installation views.

Poster/invitation produced on the occasion of exhibition Roma Publications, 1998–2007, 7–24 November, 2007 at The Narrows, Melbourne.

Roma Publications is an Amsterdam based art publisher, founded in 1998 by graphic designer Roger Willems, and artists Mark Manders and Marc Nagtzaam. It is used as a platform to produce and distribute autonomous publications made in close collaboration with a growing number of artists, institutions, writers and designers. Related to the content, every issue has its own rule of appearance and distribution, varying from house to house papers to exclusive books.

Produced following the film project Conceptual Paradise, for which Stefan Römer conducted numerous interviews with internationally outstanding artists and art theorists for four years. With short texts by the artists interviewed in the film including; artists: Vito Acconci, Art & Language (Michael Baldwin, Mel Ramsden), Michael Asher, John Baldessari, Robert Barry, Hartmut Bitomsky, Mel Bochner, Gregg Bordowitz, Klaus vom Bruch, Daniel Buren, Victor Burgin, Luis Camnitzer, Jan Dibbets, Mark Dion, Sam Durant, Valie EXPORT, Stano Filko, Andrea Fraser, Liam Gillick, Dan Graham, Renée Green, Shilpa Gupta, Hans Haacke, Július Koller, Jiří Kovanda, Joseph Kosuth, Sonia Khurana, David Lamelas, Sol LeWitt, Thomas Locher, Marcel Odenbach, Yoko Ono, John Miller, Christian Philipp Muller, Adrian Piper, Yvonne Rainer, Allen Ruppersberg, Ed Ruscha, Martha Rosler, Allan Sekula, Peter Weibel, Lawrence Weiner, Stephen Willats, Heimo Zobernig and curators/theorists: Alexander Alberro, Benjamin H.D. Buchloh, Sabeth Buchmann, Charles Harrison (Art & Language), Geeta Kapoor, Geert Lovink, Seth Siegelaub, Gregor Stemmrich.

A trailer for the film can be seen here.

Carrot Jokes are a genre of dense, joke-like texts first proposed by cognitive linguists Chlopicki and Petray (1981) to undermine emerging computational models of humor analysis. These jokes, further developed by others in the field, depend on a preponderance of background incongruities, blunt omissions, faulty script switch-triggers, “gray” implicature, and missing links in inferencing.

Michael Portnoy’s practice spans dance-theater, vocal power-tools, Relational Stalinism, reptangles, abstract gambling, the improvement of biennials, and Icelandic cockroach porn. His art circles the rules of play and communication—language itself playing a crucial role in the works.

Produced on the occasion of the exhibition Borrowed Space at Emergent, Veurne, 1 July–16 September, 2018. Edition of 300 copies