Homework by Snack Syndicate (Andrew Brooks & Astrid Lorange) collects twenty-seven texts written over the course of 2016–2020. Homework considers the manifold ways that embodied life (birth, death, love, friendship, solidarity, race, gender, sexuality, citizenship) are conditioned by a world that appears both ruinous and full of potential. Snack Syndicate asks how to read ruins and how to read the prophecy of hope that threads together a long history of survival and struggle. The book offers a guide for this reading, taking study to be a lifelong practice. It suggests a model for homework as the promise we make to each other through study and to the ghosts who carry us forward.

Introduction by Tom Melick and designed by Robert Milne.

Estelle Hoy offers a wry exploration of the seductive allure of tropes and cliché in the art world and politics in this novella, which documents the story of Pisti, a leftist Hungarian activist and her anarchist collective based in Paris. In the course of one night in a Belleville apartment, old friends and new lovers converse about contemporary politics, activism and art, violence, and queer issues. The book is also an experiment in writing, teasing the reader with namedropping and appropriation. Whole phrases are lifted from other texts and woven seamlessly into the narrative. Based in Berlin and Paris, Hoy is a feminist writer, socially engaged artist, political activist, and academic.

Produced on the occasion of the 2009 ars viva prize for fine arts. Mariana Castillo Deball, Jay Chung & Q Takeki Maeda, and Dani Gal examine historical fragments, documents, and objects in a new light. The artists take on the roles of amateur archaeologists as they work with found objects and fragments; even though it is clear that all display an obvious interest in historical objects, instead of providing any sort of conclusion regarding history as a whole they play an associative game, which formally resembles Aby Warburg’s Mnemosyne Atlas, while reflecting upon personal encounters with objects and places.

With texts by Jeronimo Voss, Cathy Lane, Raimundas Malasauskas, Christiane Mennicke-Schwarz.

Produced on the occasion of German Open, Gegenwartskunst in Deutschland at the Kunstmuseum Wolfsburg, 13 November, 1999—26 March, 2000. Including artists: Franz Ackermann, Kai Althoff, John Bock, Simone Böhm, Cosima von Bonin, Marc Brandenburg, Matti Braun, Sunah Choi, Peter Dittmer, Olafur Eliasson, Stefan Exler, Christian Flamm, Peter Friedl, Alexander Györfi, Elmar Hess, Stefan Hoderlein, Christian Hoischen, Christian Jankowski, Stefan Kern, Andree Korpys/Markus Löffler, Michel Majerus, Maix Mayer, Jonathan Meese, Max Mohr, Manfred Pernice, Daniel Pflumm, Peter Pommerer, Neo Rauch, Tobias Rehberger, cleaning company, Daniel Richter, Gregor Schneider, Tilo Schulz, Heidi Specker, Silke Wagner, Johannes Wohnseifer and Joseph Zehrer.

On Performance is the first volume to be published in the KUB Arena publication- series; it not only documents the performance project that took place in the KUB Arena in the winter of 2010/11, but also contains in-depth essays by Giles Bailey and Eva Meyer examining the theory and history of performance. Artists’ contributions especially created for the publication by Ruth Buchanan, Coming to Have A Public Life, Is It Worth It?, Simon Fujiwara, Suchan Kinoshita, Kooperative für Darstellungspolitik, Falke Pisano, and Ian White appear alongside an interview with the participating artists by Eva Birkenstock and Joerg Franzbecker, with accompanying comments by Marina Vishmidt. Designed by HIT Studio.

This is an anthology of the artist’s collected comics from 2011 to 2020, only allegedly a casual branch of her practice. It includes November (2011) and At the cool table (2013) as well as lesser known, shorter comics of the last few years. Von Wulffens comics address the social codes of the art world, the daily life of being a female artist, and nightmare-like, surreal psychogeographies. They poignantly and parodically observe fears of failure, loneliness, competition, so-called good taste, and sexual affairs, while questioning a clear cut distinction between high and low, artistic genius and amateurism.

Designed by Marc Hollenstein.