Diego Rivera (8 December, 1886–24 November, 1957), was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art. He was involved in the world of politics as a dedicated Marxist and joined the Mexican Communist Party in 1922. He hosted Russian exile Leon Trotsky and his wife at his home in Mexico City in the 1930s.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Daniel Spoerri at the Stedelijk Museum, Amsterdam, 17 April–6 June, 1971.

SM Cat. No 502b.

Designed by Wim Crouwel and Jolijn van de Wouw.

*Please note this publication is secondhand and has some traces of previous ownership.

Micha Zweifel is an artist who works with what he finds in his surroundings: materials, concepts, and motifs—the flotsam of cultural remnants whose use, identity, or meaning have become unstable, but still shape where and how we live. Ringgummimatte is a montage of such “finds,” showing Zweifel’s work alongside photos and conversations from recent years. It features texts by artist and writer Sabrina Chou, journalist Michel Rebosura, writer and art historian Vivian Sky Rehberg, poet Lisa Robertson, curator Eveline Suter, as well as an email exchange between Christoph Zweifel and the artist. Writer and editor Matthew Stadler has captioned each image in the book with a quote from Zweifel’s library, forming a composition of what is adjacent to Zweifel’s work, like footsteps in a neighbors apartment.

Ringgummimatte is designed by Studio Krispin Heé (Krispin Heé, Tim Wetter) and published on the occasion of Micha Zweifel’s ongoing exhibition Zur Sackgasse 4. Stock (5 December, 2020–27 June, 2021) at Kunstmuseum Luzern and the Manor Kunstpreis Zentralschweiz Luzern 2020.

“The films of Nathaniel Dorsky blend a beauteous celebration of the sensual world with a deep sense of introspection and solitude. They are occasions for reflection and meditation, on light, landscape, time and the motions of consciousness. Their luminous photography emphasizes the elemental frisson between solidity and luminosity, between spirit and matter, while his uniquely developed montage permits a fluid and flowing experience of time. Dorsky’s films reveal the mystery behind everyday existence, providing intimations of eternity.”—Steve Polta, San Francisco Cinematheque.

In Devotional Cinema, Dorsky moves through meditations on image-moments in works by key filmmakers (Carl Theodor Dreyer, Yasujiro Ozu, Michelangelo Antonioni, and Roberto Rossellini), and arrives at the heart of what constitutes a devotional practice.

Poster produced on the occasion of the exhibition stanley brouwn at FAHRBEREITSCHAFT, Berlin, 1 May, 2014–4 April, 2015. Edition of 100.

Produced on the occasion of stanley brouwn’s participation in the 1982 Venice Biennale. Introduction by Jan Debbaut and texts by Gijs van Tuyl and Rini Dippel.