Invitation and pamphlet produced on the occasion of Between Ears, New Colours, a group exhibition with Elena Narbutaitė and Hagar Schmidhalter, curated by Elfi Turpin at CRAC Alsace. Designed by Charles Mazé & Coline Sunier. More information on the exhibition can be found here.

The publication Mobil, autonom, vernetzt, Kritik und ökonomische Innovation in Ephemera der Konzeptkunst, 1966–1975 deals with the advertisements and exhibition announcements printed by Jan Dibbets, Adrian Piper, Daniel Buren and Eleanor Antin between 1966 and 1975. These ephemera—simultaneously works of art, advertising instruments, and documentations for artistic actions—are exemplary for the communication-based, flexible, and mobile practice of conceptual art. A 2015 interview with Barbara Preisig discussing ephemera can be found here.

A series of booklets produced on the occasion of If I Can’t Dance I Don’t Want to Be Part of Your Revolution’s 2013–14 Commissions.

Gerry Bibby’s booklet introduces the process of writing his novel The Drumhead and includes redacted editorial correspondence with novelist Natasha Soobramanien. Sara van der Heide’s booklet on her work Mother Earth Breathing includes an essay by Nikos Papastergiadis. Snejanka Mihaylova’s booklet about her work Inner Stage includes an annotated bibliography and part of the musical score to her performance A Song. Emily Roysdon’s booklet includes the original textual score to her new work Uncounted*.

Designed by Maureen Mooren.

Artist book by stanley brouwn, produced by the Wiens Verlag, Berlin in 2013.

The book is a reproduction of the book Taschenbuch der Münz-. Maass- und Gewichtsverhältnisse, Leipzig 1851. It dealt with the entire European measurement system in the middle of the 19th century.

Artist book by stanley brouwn, produced by the Stedelijk Museum voor Actuele Kunst, Ghent in 2001.

Ici Non, Hier Nicht, Not Here is a new publication series of the Kunstverein. The first issue is dedicated to the work of Christopher Knowles.

Ici Non, Hier Nicht, Not Here is an exhibition that uses the ‘paper space’ as an exhibition space. Its name is derived from a series of works by artist Remy Zaugg from 1995. This series consists out of small paintings with scarcely legible words that dialectically refer to the fact that images are physical, found in a specific place, and yet also ubiquitous.

Concept: Noor Mertens, Bart de Baets, Lea Schürmann. Designed by Bart de Baets.