Worms is a bi-annual literary style magazine that celebrates female writer culture.

This inaugural issue, offers a fresh perspective on the accessibility of literature, writers and style. Features Chris Kraus and Ariana Reines about online writing, an exploration into Kathy Acker’s books and influence on contemporary culture, interviews with young upcoming authors and more.

Artist and writer Ghislaine Leung, lives and works in London and Brussels. Recent solo projects include; CONSTITUTION, Kunstlerhaus Stuttgart, Stuttgart, Germany & Chisenhale, London, UK, Violets 3, Netwerk, Aalst, Belgium, ESSEX STREET, New York, New York and group projects; The Making of Husbands, KW Institute for Contemporary Art, Berlin, Germany, I, I, I, I, I, I, I, Kathy Acker, Institute for Contemporary Art, London, UK Contains texts such as 'Approximations', 'Complicity, Fetish, Agency', 'OUT', 'In Extrinsics', '29042017' amongst others.

Published on the occasion of the exhibition, Paul Thek I AM, AM I?, 6 September–26 October, 2019 at Jan Mot, Brussels.

“Jan Mot presents a solo exhibition of Paul Thek (1933–1988), an American sculptor, painter, and installation artist who was influential in the New York art scene in the 1960s and moved between various European cities in the 1970s, spending quite some time in the Netherlands, where he had a solo exhibition at the Stedelijk Museum in 1969. His work was also part of the exhibition Chambre d’amis in 1986 in Ghent. The show at Jan Mot will be the first solo show in Belgium and will include a lesser known series of etchings and a newspaper drawing. The etchings and drawings punctuate a profoundly disparate practice and suggest a continued engagement with recurrent themes such as the Tower of Babel, Tarbaby, horns, etc. His work, often marked by fragile or ephemeral materials with regard to the personal, mystic, and spiritual, have been a source of widespread influence to other artists.”—Mousse Magazine

Mode and Mode is a periodical that addresses printed matter in fashion practice. Each issue explores experimental publishing in fashion with an interview around a print-based project at the margins—one that has critical effects to fashion as a discourse—with the aim to level alternative, lesser-known fashion practices with contemporary fashion discourse.

Mode and Mode seven presents an anthology of text works and biographical listings of key D&K (Ricarda Bigolin and Nella Themelios) projects from 2012 to present as a companion publication to D&K LOOK BOOK 2019 which can be found here.

Wimper is 81 found eyelashes scanned directly on to the drum of a risograph printer and printed, one per spread, to irritate the context of what is supposed to be an exhibition catalogue published to accompany the exhibition Faltering, light under two screw holes… at SE8 Gallery, London.

Texts by Nicolas de Oliveira and Nicola Oxley, and David Price. Graphic design by studio Hendriksen, risograph printed by Alex Farrar in studio Hendriksen, Amsterdam, with the cover offset printed by ZwaanLenoirSchuring and bound by AGIA (The Netherlands) in a print run of 300 copies.

In this book, the 1923 manifesto ‘Active Art’ by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose. All the texts collected in this volume aim at considering the active part of writing according to the definition given by Kurcijs. It is true of the book design by Laure Giletti and Gregory Dapra too. Contributors include curator Rebeka Põldsam, artists Evita Vasiļjeva and Eva Barto, writers Bella Marrin and Robert Glück, and poet Laura Boullic. It also includes the reprint of an essay from 1987 by James Baldwin, commissioned by the African Center in New York, and an in-depth conversation between the editors of the books and philosopher Ainārs Kamoliņš.