Produced on the occasion of the exhibition The Place in the Window at Tomio Koyama Gallery, Kyoto, April 26–June 1, 2013.

Published twice a year since 2002, Encens is focused on fashion as artform from the perspective of designers rather than trends. The magazine investigate new forms of dressing from past to present with probing interviews, extensive use of photography and vintage, and dynamic layout. This issue features Willie Christie, Dominique Issermann, Sonia Rykiel, Aurore Clement, Wim Wenders, Margot Pilz, Barbara Hulanicki, Roger Vivier and Emanuel Ungaro.

Mark Borthwick belongs to a generation of photographers who, in the 1990s, changed fashion’s imagery. Breaking the conventions of fashion photography, he developed a style that was at once intuitive and personal, integrating elements, props, attitudes, that touch contemporary art, environmental issues, interior and architectural design, and a reverence for clothes as works of art.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Marian Zazeela: Drawings at Kunst im Regenbogenstadl, Polling, 2000. Over the past six decades, Zazeela was a central figure of the New York avant-garde. Her expansive practice encompassing painting, calligraphic drawing, film, light projection, stage design, sculpture, and light environments applied rigorous formal procedures to enact states of transcendence.

In 1962, Zazeela produced a series of highly singular drawings that charted the course of her subsequent work. Employing both improvisation and an increasing array of rigorous compositional techniques, Zazeela’s ornamental shapes render the page a concentrated visual field of startlingly complex design.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Example: Dix-Huit Leçons sur la Société Industrielle at the Contemporary Art Gallery, January 13 – March 6, 2005.

It includes a forward by Christina Ritchie, essays; Mechanization takes command: Modernization, Terminable and interminable by John Miller and Some References for Christopher Williams by Claudia Beck.

Designed by Christopher Williams with Yvonne Quirmbach.

Over the past two decades, Australian artist Nicholas Mangan has created a compelling body of work that considers humanity’s relationship to the natural world, taking everything from coral rubble to cryptocurrency as a point of departure.

Mangan’s art locates human history in the context of deep geological time. With a focus on Australia’s place in the Pacific, his works reflect on how social, political and economic upheaval are connected to the material world, offering new perspectives on pressing global issues, such as the impact of extractive mining on natural resources and climate change.

Designed by Žiga Testen and Stuart Geddes.