Produced on the occasion of Günther Förg’s exhibition at the Kunstverein Hannover und Orangerie Herrenhausen, 8 December, 1995–25 February, 1996.

Designed by Walter Nikkels.

John Latham (1921–2006) was a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fuelled controversy and continues to inspire. A visionary in mapping systems of knowledge, whether scientific or religious, he developed his own philosophy of time, known as ‘Event Structure.’

*Please note this publication is secondhand and has some traces of previous ownership.

On the occasion of the 150th anniversary of the birth of Jože Plečnik (1872–1957), a key figure of the Modernist movement in architecture and creator of numerous buildings and monuments around the city of Ljubljana, in 2022 Luca Lo Pinto and Olaf Nicolai curated an exhibition titled I Am Only the Housekeeper, but I Don’t Know… in the Slovenian architect’s former home. The publication retraces the contemporary interventions undertaken by the curatorial duo, who invited twenty-five internationally recognised Slovenian and foreign artists, allowing them to enter the house through their own works to commemorate Plečnik’s oeuvre and place its reading into a different and more contemporary context.

Works by John Armleder, H. C. Artmann, Nairy Baghramian, Avi Beracha, Pierre Bismuth, Monica Bonvicini, Pablo Bronstein, Michael Dean, Jason Dodge, Hansi Fuchs, Lena Grossmann, Ana Kučan, Janette Laverrière, Enzo Mari, Hana Miletić, Carsten Nicolai, Saša Pavček, Julie Peeters, Manfred Pernice, Florian Pumhösl, Fabio Quaranta, Ana Roš, Giovanna Silva, Mladen Stilinović, Diamond Stingily, Sophie Thun.

Photography by Giovanna Silva. Graphic design by Julie Peeters with Laura Martens.

Produced on the occasion of the exhibition Francis Picabia, at The Museum of Modern Art, Seibu Takanawa, 21 July–5 September, 1984 and the Seibu Museum of Art, Tokyo 9 September–21 October 1984.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Francis Picabia, which travelled to Isetan Museum of Art, Tokyo, 12 August–7 September, 1999; Iwaki City Art Museum, Fukushima, 17 October–14 November 1999; Kintetsu Art Museum, Osaka, 26 January–9 February, 2000.

Francis Picabia was a French avant-garde painter, writer, filmmaker, magazine publisher, poet, and typographist. He was one of the early major figures of the Dada movement in the United States and in France and was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Bruno Munari: What Comes From What held at the Itabashi Art Museum, The Museum of Modern Art, Shiga and Kariya City Art Museum, to commemorate the 100th anniversary of the birth Munari, who was an artist, designer, and children’s book author. It features colour illustrations of a wide variety of Munari’s works, including his masterpieces The Nonsense Machine and The Unreadable Book as well as paintings and three-dimensional paper sculptures. The catalogue comprehensively traces a body of work that is permeated with playful ideas and a spirit of inquiry. It reflects the breadth of Munari’s creativity, which spans art, design, and education.