Kunstverein’s in-house magazine is a cross between an academic journal and a darts club newsletter. Each issue contains a limited amount of contributions that vary in length according to the subject matter at hand. The remit of ‘Ginger&Piss’​ is simple: to provide a platform for candid critique but at the same time allow the author to stay hidden. Therefore, each contributor writes under a pseudonym. ‘The Intern’ is both the theme and mastermind behind the fourth issue of ‘Ginger&Piss’. With contributions by A. D. Cinzano, Even Steven, The Great Illusionist, Jennifer Jessica Jane, ………… …….. Office, Mads-Egil Petersen, and Roxana Rosenthal.

Kunstverein’s in house magazine is a cross between an academic journal and a darts club newsletter. Each issue ​’Ginger&Piss’​ (the name is a misquotation of Laurence Weiner) contains a limited amount of contributions that vary in length according to the subject matter at hand. The remit of ‘​Ginger&Piss​’ is simple; to provide a platform for candid critique but at the same time allow the author to stay hidden. The concept dictates that each contributor writes under a pseudonym; the use of pseudonyms can be considered an answer to the cowardice of the art world, albeit a somewhat hypocritical one.

A collection of texts about the precarious situation of working and living as an artist. The short story goes through real and imagined situations that relate to the vulnerability of the artistic profession and the many compromises that have to be made along the way.

Alina Lupu, born 1985 in Romania, is a post-conceptual artist and writer. She has a background in psychology, photography and an incomplete education in fine arts. Through a paperwork mishandling committed by the housing corporation Ymere, she still resides in Amsterdam, 6 years and counting, in spite of a wave of encroaching gentrification. A fluke. As of December 2018, she´s had the fortune of getting funded by the local Dutch authorities through the Mondriaan Fond. Before that and throughout putting together most of these texts, she was alternately employed and contracted by Deliveroo, Helpling, Foodora, Uber, Hanze Groningen, Willem de Kooning Rotterdam, de Taart van m´n Tante, and Poké Perfect Amsterdam. Her pension will eventually total a bit over 2 Euros per month.

Designed by Andreea Peterfi.

Dictionary Dressings is an ongoing research project by Femke de Vries that uses the nature of the dictionary definition as a “zero condition” for a piece of clothing to decode clothes and explore an alternative fashion vocabulary.

The book contains an introductory conversation by the editor/artist/researcher Femke de Vries with Ruby Hoette, text contributions by Joke Robaard and Barbara Brownie and visual contributions by BLESS, Conny Groenewegen, Elisa van Joolen and Students from the HKU (University of the Arts Utrecht) 2015/16.

“Every now and then, I briefly describe the bodily positions Jo and myself are laying in as we awaken. Still half asleep, usually with my eyes closed, I try to work out our positions in relation to one another and in relation to gravity. 46 of those descriptions are collected in this book”—Toine Horvers

“On a weekday in 1999, from a fixed point inside Chartres cathedral, I made an hour long sound recording. At the time of recording, no organised religious activity was taking place. The building was being visited by tourists and groups of believers who were talking, praying and singing.

In 2013, I began to translate this universe of sounds into words and sentences, without stating the source of the sound or referring to the physical space of the cathedral.”—Toine Horvers