In July, the bookshop will pack up and temporarily relocate to Brunette Coleman in London, presenting a selection of books alongside artworks from past and future projects.

With works, books and ephemera from Michèle Graf & Selina Grüter, Marc Camille Chaimowicz, Stuart Sherman, Janet Burchill and Jennifer McCamley, gerlach en koop, Wyatt Niehaus, Ian Burn, Willem Oorebeek, Anna Daučíková, Seth Siegelaub’s International General imprint, Ruth Wolf-Rehfeldt, a selection of publications around early abstract experimental Japanese photography by Kiyoshi Koishi, Ei-Q, Kiyoji Ōtsuji, Nakaji Yasui, Iwata Nakayama, Kansuke Yamamoto, Osamu Shiihara amongst others, Marietta Mavrokordatou, Barbara Bloom, Marian Zazeela, Eugene Carchesio, Anna Oppermann, Lili Dujourie, Cady Noland, Nasreen Mohamedi, Jason Dodge, Mladen Stilinović, Laurie Parsons, Kōshirō Onchi, Jochen Lempert, Atsuko Tanaka, Hans Bellmer, Gutai, readymades belong to everyone®, Philippe Thomas, Trisha Donnelly, Lucy McKenzie, Jef Geys, Ilke Gers, Henri Michaux, Kazuna Taguchi, Pierre Klossowski, Lutz Bacher, Etel Adnan, Zoe Leonard, Ian Wilson, David Robilliard, VALIE EXPORT, Ketty La Rocca, Michael Snow, Ibon Aranberri, Charlotte Posenenske, Běla Kolářová, Yvonne Rainer, stanley brouwn, Margaret Honda, Moyra Davey, Tim Rollins and K.O.S., Sanja Iveković, Robert Filliou, Michael Krebber, Manfred Pernice, Ronald Jones, Ezio Gribaudo, Paul Sharits, On Kawara, Fiona Connor, Cinzia Ruggeri, Barbara T. Smith, Man Ray, Derek Jarman, Tetsumi Kudo, Guy Mees, Mária Bartuszová, Guy de Cointet, Kai Althoff, Christopher Williams, Richard Tuttle, Marie Laurencin, Jay Chung & Q Takeki Maeda, Hanne Darboven, Francis Picabia, Simone Forti, Susan Howe, Algirdas Šeškus, Marcel Broodthaers, Dora Budor, Jack Goldstein, Alina Szapocznikow, Poul Gernes, John Knight, Tomio Miki, Chantal Akerman, Francesca Woodman, Sarah Rapson, Franz Erhard Walther, Vivian Suter and others.

Until August, the Amsterdam space will be open by appointment only and web orders will run as usual.

Conceived as the second edition to Weiner’s Works (1977), Specific & General Works presents a broad selection of purely textual works by Lawrence Weiner from 1968 to 1993.

Weiner’s body of work has at its core a fundamental questioning of the conventions of objecthood in relation to the producer and its viewer. He used language as the primary medium for his works since the late 1960s. Presented in capital letters, his structures consisting of language, or text fragments, often accompanied by graphic marks and lines, have been exhibited around the world and interpreted into numerous languages.

Produced on the occasion of the exhibition Franz Erhard Walther at Wiels, Brussels, 21 February–11 May, 2014 and Franz Erhard Walther: The Body Decides at CAPC, Bordeaux, 13 November, 2014–3 March, 2015.

A pop up book for adults, this catalogue on the work of Franz Erhard Walther sought its inspiration in the artist’s work in order to determine the publication-form that might most appropriately convey the centrality of action to the artist’s oeuvre. The performativity at the heart of Walther’s more than a half century long practice is underscored through the appearance of six brightly coloured elementary pop up forms spread throughout the book.

Produced on the occasion of the exhibition Cady Noland & Félix González-Torres: Objekte, Installationen, Wandarbeiten at Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, 17 December, 1990–30 January, 1991 and Museum Fridericianum, Kassel, 8 February–17 March, 1991.

With a textcollage by Robert Nickas, essays by Jan Avgikos Art/Artifact/Fact, Kirby Gookin From the (S)melting Stink Pot, David Deitcher Blue Jeans and Death by Gun and two interventions by the artists: Textpieces by Félix González-Torres and Arbeitskopien by Cady Noland.

*Please note this publication is secondhand and may have some traces of previous ownership.

Artist, novelist and philosopher Pierre Klossowski’s 1970 essay La Monnaie vivante (Living Currency), first published in France in an edition with erotic photographs made in collaboration with Pierre Zucca.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Jef Geys’ retrospective at Paleis voor Schone Kunsten Brussel / Palais des Beaux Arts Bruxelles. With texts by Marie-Ange Brayer and Frederik Leen.

*Please note this publication is secondhand and may have some traces of previous ownership.