A promotional poster published by Art Metropole for Ian Hamilton Finlay’s Bicentennial Proposal: The French War: The War of the Letter curated by Peter Day and was exhibited at Art Metropole between 23 September–21 October, 1989.

The sheet music depicted is composed by Peter Davidson entitled Two Flutes for St. Just. and subtitled Music for the opening of Ian Hamilton Finlay’s Bicentenary Celebrations.

Produced on the occasion of the exhibition You’re a nice guy to let me hold you like this at Greengrassi, London, 4 September–24 October, 2015.

Produced on the occasion of Franz West’s exhibition at Kunsthalle Bern, 16 January–28 February, 1988. With texts by Ulrich Loock and Franz West.

Reprint of Simone Forti’s 1978 publication Angel. Originally produced as a document of a 1976 performance at Fine Arts Building, which included readings and the hologram Angel. With photos by Babette Mangolte.

Produced on the occasion of the exhibition I’M NOT A NICE GIRL! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles at K21 Düsseldorf.

The point of departure for the exhibition is a series of documents that have rarely or never been shown before— letters, concepts, and photographs from the Archive Dorothee and Konrad Fischer which chronicle contacts between the internationally influential gallerist Konrad Fischer and Lucy R. Lippard, as well as women Conceptual artists from the late 1960s and early 1970s such as Eleanor Antin, Hanne Darboven, Agnes Denes, Adrian Piper, Lee Lozano, Charlotte Posenenske, and Alina Szapocznikow.

Produced on the occasion of Raoul de Keyser’s 1991 exhibition at the Kunsthalle Bern. With texts from Ulrich Loock, Dirk de Vos and Paul Robbrecht.

Raoul De Keyser was a Belgian painter who from 1964 onwards built a highly personal body of work that was exceptionally difficult to categorize; he successfully reconciled a number of apparent contradictions such as figuration versus abstraction and the physicality of paint versus the ephemerality of the image.