Öyvind Fahlström as I remember him
Bengt Abrahamsson
Published by Repro and Tryck, Goteborg, 2002, 22 pages (b/w ill.), 15 × 21 cm, English
Price: €10 (Out of stock)

Biography of Öyvind Fahlström written by Bengt Abrahamsson and translated by June Abrahamsson.

“Öyvind Fahlström (1928–76) was born in São Paulo to Swedish-Norwegian parents. Fahlström was unquestionably one of the twentieth century’s most innovative and versatile artists. His incentive was to investigate economical, political and social issues and the production of meaning. Rather than developing a style, he worked with a variety of different media and techniques: poetry, theater, journalism, criticism, drawing, painting, film, television, happenings, radio, objects, graphic design, and installations.”—Modern Museet

#2002 #oyvindfahlstrom
Cathy Wilkes
Published by the British Council, 2019, 52 pages (colour & b/w ill.), 25 × 21 cm, English / Italian
Price: €15

Catalogue produced on the occasion of Cathy Wilkes’ exhibition in the British pavillion at the 58th International Art Exhibition – La Biennale di Venezia. Renowned for her distinctive and highly personal sculptural installations featuring humanoid figures that highlight the tender intimacy of everyday life, Wilkes’ exhibition features new paintings and sculptures that provoke a strong emotional response in viewers, set against the backdrop of the grand architecture of the British Pavilion. This catalogue presents a collection of 13 paintings produced for the exhibition. Designed by Yvonne Quirmbach.

#2019 #cathywilkes #yvonnequirmbach
Cathy Wilkes
Published by the British Council, 2019, 12 pages (colour ill.), 21 × 14.7 cm, English / Italian
Price: €4

Booklet produced on the occasion of Cathy Wilkes’ exhibition in the British pavilion at the 58th International Art Exhibition – La Biennale di Venezia. Renowned for her distinctive and highly personal sculptural installations featuring humanoid figures that highlight the tender intimacy of everyday life, Wilkes’ exhibition features new paintings and sculptures that provoke a strong emotional response in viewers, set against the backdrop of the grand architecture of the British Pavilion.

#2019 #cathywilkes #ephemera
Onion Walk and News Animation (Rehearsal)
Simone Forti
Published by ReadingRoom, Melbourne, 2018, two sided card (b/w ill.), 14.8 × 21 cm, English
Price: €4

Produced on the occasion of Onion Walk and News Animation (Rehearsal), 24 January–17 February, 2018 at ReadingRoom, Melbourne.

Simone Forti is a dancer, artist, writer based in Los Angeles. She came of age artistically in the 1960s, a time of rich dialog between poets, musicians, dancers and visual artists. Her early Dance Constructions were influential to the reinventing of dance in New York that happened in the 60s and 70s. Forti has collaborated extensively with musicians Peter Van Riper and Charlemagne Palestine, basing her dancing on studies of animals’ movements and on the dynamics of circling.

Designed by Robert Milne.

#2018 #ephemera #robertmilne #simoneforti
Pino Pascali
Published by Camden Arts Centre, London, 2011, 52 pages (colour & b/w ill.), 20.5 × 30 cm, English
Price: €23

Catalogue produced to accompany the exhibition ... a multitude of soap bubbles which explode from time to time…  Pino Pascali’s final works 1967–1968 at Camden Arts Centre, 4 March–1 May, 2011. With essays by Martin Holman and Christopher G. Bennett. Also includes the writings of Pino Pascali, Luca Maria Patella and Eliseo Mattiacci. Designed by Fraser Muggeridge studio.

#2011 #frasermuggeridge #pinopascali
Raumbilder
Reinhard Mucha
Published by Ministerio de cultura, Madrid, 1987, 34 pages (colour & b/w ill.), 21 × 24.5 cm, Spanish
Price: €18 (Out of stock)

Produced on the occasion of Raumbilder Five German sculptors in Madrid at Centro De Arte Reina Sofia in 1987. This is a single volume on the work of Reinhard Mucha from a 5 volume set.

Mucha’s meticulously constructed sculptures—he often works with industrial materials such as aluminum, float glass, felt, gloss paint, steel, or blockboard—look variously like showcases and display cabinets or like baroque theatrical installations. He moreover integrates biographical material such as a copy of his diploma from the Düsseldorf Academy of Fine Arts or a photograph that shows him as a student. Yet his purpose with such inclusions is not the personal anecdote; rather, they raise questions concerning the category of the collective—for example, to what extent social structures and the hierarchies woven into them inform our personalities.

#1987 #reinhardmucha