Conceptual artist Ian Wilson (1940, Durban, South Africa) has been interested in spoken language as an art form since 1968. At first, he described his own work as ‘oral communication’, and later on as ‘discussion’. At Wilson’s own request, his work is never recorded either as film or audio in order to preserve the transient nature of the spoken word.

During a visit of Wilson to the Van Abbemuseum in 2006, the idea arose to make a catalogue raisonné, containing all of Wilson’s discussions from 1968 until 2008. Using documentation and the recollection of participants, the fleeting works have been catalogued by researcher Chantal Kleinmeulman.

Designed by Inge Ketelers.

On the night of her 30th birthday, Lucy’s best friend Nicholas gives her just what she’s always wanted—the chance to watch him and his handsome boyfriend James get it on in the flesh. But what happens when Nicholas’ gift merely whets her appetite? When a feast for the eyes leaves her heart and body famished, how far will Lucy go to satisfy her hunger? And what will it mean for their friendship?

We Love Lucy by Lilith Wes is the second book of New Lovers, a series of short erotic fiction published by Badlands Unlimited. Inspired by Maurice Girodias’ legendary Olympia Press, New Lovers features the raw and uncut writings of authors new to the erotic romance genre. Each story has its own unique take on relationships, intimacy, and sex, as well as the complexities that bedevil contemporary life and culture today.

Real-Time Realist is a serial publication of J-LTF PRESS. This issue of Real-Time Realist explores Ecstasy, Joy, Serenity, and Love, The Yellow Wheel, with contributions from invited artists distilling the aforementioned emotions.

Contributors: Kasia Fudakowski, Paul Haworth, Carla & Karlis, Arvo Leo, Angharad Williams, Jaakko Pallasvuo, Lieven Lahaye, Nolwenn Salaün, Mikko Varakas, David Bennewith, Anders Frederik Steen and Jean-Marc Brignot, Josse Pyl, and Jungmyung Lee

Edited by Jungmyung Lee, Lieven Lahaye. Designed by Jungmyung Lee.

Exhibition pamphlet produced on the occasion of Fiona Abicare’s exhibition Rose Moon at West Space, Melbourne, 2019.

Abicare works across sculpture and site to explore diverse material histories. Influenced broadly by modernism and its interaction with art, design, architecture, film and fashion, her work absorbs and reflects cultural histories, personal memories and other embedded associations. Rose Moon explores the origins of the interior design style Shabby Chic in relation to art history and feminine aesthetics. Taking shape as a series of site-specific sculptures, Rose Moon considers the practice of the female home decorator as sculptor, painter and craft practitioner.

Acknowledged today as one of the most influential figures of post-war Yugoslavian art, mangelos is the pseudonym that the Yugoslavian art critic and historian Dimitrije Bašičević (1921–1987) used for his artistic activity, a parallel career he would only make public in the 1970s. Although he never considered himself an artist, he never stopped producing paintings, blackboards on which he inscribed poems, stories, quotations and philosophical manifestos, all inspired by his historical pessimism and the idea that language is infected by ideologies.

Edited by François Piron. Designed by Laure Giletti.

The Joke Book is the first printed edition of the complete jokes & messages file that was found on Seth Siegelaub’s computer by his partner Marja Bloem. It contains jokes, quotes, and pieces of advice, that he collected since 1999 and regularly redistributed via email amongst his friends. With contributions by Alex Alberto, John Baldessari, Marja Bloem, Myrna Bloom, Martin Browne, Alan Kennedy, David Kunzle, Joel Miller, Loren Miller, Kay Robertson, Laurent Sauerwein, Seth Siegelaub, Joan Simon, Kira Simon-Kennedy, Peter Sinclair, Steven Wright, and an introduction by Huan Hsu (written after a long conversation with Marja Bloem). Designed by Marc Hollenstein.