Produced on the occasion of Sheila Hicks’ exhibition Soft World at the Seoul Arts Center Museum in 1991.

Sheila Hicks (born July 24, 1934) is an American artist and a pioneering figure in fibre art. Working across six decades, she expanded the scale and ambition of textile practice from small hand woven works to monumental hanging columns made up of vibrant fibres that occupy architectural space.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Sheila Hicks at Stedelijk Museum, Amtsterdam, 9 March–7 April, 1974.

Sheila Hicks (born July 24, 1934) is an American artist and a pioneering figure in fibre art. Working across six decades, she expanded the scale and ambition of textile practice from small hand woven works to monumental hanging columns made up of vibrant fibres that occupy architectural space.

SM Cat. No 557.

Designed by Wim Crouwel & Daphne Duijvelshoff.

*Please note this publication is secondhand and may have some traces of previous ownership.

Born in 1974 in Tbilisi, Tolia Astakhishvili works and lives between Berlin and Tbilisi. Her art practice includes sculpture, drawing, painting, sound, video and writing. Her architectural environments, which integrate these various media, are designed in conversation with the exhibition site. They evoke spaces in transformation, like a suspended construction site whose origins and completion remain undefined. Everyday objects, drawings, photographs, mural inscriptions and videos suggest a diffuse human presence. Together, they weave a fictional narrative marked by a psychological dimension, sometimes tinged with surrealism.

Edited by Tolia Astakhishvili, Fatima Hellberg, Manuela Ammer. Contributions by Kirsty Bell, Fatima Hellberg, Liesl Ujvary.

Produced on the occasion of the exhibition Man Ray: fotografie at Museum Kampa, Prague, 26 June–18 August, 2002.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Man Ray: Photographe at Centre Georges Pompidou, Paris, 10 December, 1981,–12 April, 1982.

*Please note this publication is secondhand and may have some traces of previous ownership.

An artists’ book gathering photographic works by Yair Oelbaum, followed by a note by the artist on his process, from his experiments with a Macro 5 Polaroid camera—a camera originally intended for dental and crime scene photography—to his creation of images of “transient arrangements on an array of surfaces.”