Invitation card for the opening of the exhibition Marcel Broodthaers at Galerie Isy Brachot, Brussels, Wednesday April 29, 1987. With a text titled MB le solipsisme by Bernard Blistène.

*Please note this publication is secondhand and has some traces of previous ownership.

Featuring the work of Walter de Maria, Michelangelo Pistoletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Jannis Kounellis, Lawrence Weiner, Luciano Fabro, Bruce Naumann, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Keith Sonnier, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.

*Please note this publication is secondhand and has some traces of previous ownership.

Hamish Fulton is an English artist, who since 1972 has only made works based on the experience of walking. He translates his walks into a variety of media, including photography, illustrations, and wall texts. Fulton argues that ‘walking is an artform in its own right’ and argues for wider acknowledgement of walking art.

*Please note this publication is secondhand and has some traces of previous ownership.

This calendar was conceived by Ricardo Valentim and Clément Dirié. It follows calendars conceived by Katerina Seda in 2014, Ana Jotta in 2015, Bruce McLean in 2016, Mick Peter in 2017, Paulina Olowska in 2018, Jean-Baptiste Bernadet in 2019, Apostolos Georgiou in 2020, Agnès Thurnauer in 2021, and Dorothy lannone in 2022. In a limited edition of 200 copies

Designed by Amélie Boutry.

A two-volume book edited by Cady Noland and Rhea Anastas, THE CLIP-ON METHOD contains writing by Cady Noland, sociological essays selected by the artist, and a considerable amount of exhibition photography from the 1980s to the present. Designed by Cady Noland. Typesetting, layout, and print production by Will Holder.

F.R.DAVID was concerned with the organisation of reading and writing in contemporary art practice. Following and open call, this is – the very last issue – a collectively-compiled “Erratum”, or addendum [if you will] to the twenty-three issues from 2007 until now.

Edited with Paul Abbott, After 8, Alma Sarif, Phil Baber, Daniel Blumberg, Thomas Boutoux, Kristien Van den Brande, Chloe Chignell, Martina Copley, Anthony Elms, Chris Evans, Carolina Festa, Kasper Feyrer, Richard Finlay Fletcher, Ben Green, Mariëtte Groot, Krist Gruijthuijsen, Léa Guillon, Sarah Handley, Gloria Hasnay, Loes Jacobs, Michel Khleifi, Willis Kingery, gerlach en koop, James Goggin, Keira Greene, Léa Guillon, Jacob Lindgren, Kobe Matthijs, Martino Morandi, Zen Nguyen, Alice Notley, Robert M. Ochshorn, Oscar the dog, Willem Oorebeek, David Reinfurt, Scott Rogers, Andrés de Santiago Areizaga, Rosa Sarholz, Clara Schulmann, Andrea di Serego Alighieri, Sabrina Tarasoff, Kristy Trinier, Seymour Wright and Unknown.