Produced on the occasion of Mire Lee’s exhibition The Heart of My Machine is Golden Lead at Secession, Vienna, 26 June–26 August, 2026.

Mire Lee’s large-scale installations are often composed of leaking mechanisms and quasi-organic structures that appear to drip and decay. Deliberately broken motorised elements seem to strain under their own operation, resisting the seamless efficiency associated with contemporary technological aesthetics. With texts from Haris Giannouras, Gemma Barricarte and Mire Lee. Designed by Sabo Day & Rosen Eveleigh.

The catalogue of the 15th Baltic Triennial at CAC in Vilnius is conceived as a visual book in two parts: one is dedicated to the Prologue, which took place a year prior to the main exhibition; the other documents the Triennial itself. In addition to contributions by Adrianna Glaviano, the book features two poems by Emerson – a figure who emerges from the archive of Greek photographer and writer George Tourkovasilis, and whose poems served as entry points to both the Prologue and the main exhibition.

Edited by Tom Engels and Maya Tounta and designed by Julie Peeters, the book draws formal inspiration from the publications of James Lee Byars.

A new book by poet-activist CAConrad combining essay, memoir and (Soma)tic poetry rituals. Documenting the pervasive homophobic violence of the 1980s and the overwhelming losses of AIDS, this work is an unwavering testament to queer resilience. CA’s text forms a resounding incantation to friends and lovers lost.

CAConrad has been writing poems for more than 50 years and working with (Soma)tic poetry rituals for over 20 years. Their latest book is Listen to the Golden Boomerang Return (Wave Books / UK Penguin 2024). The Book of Frank is available in 9 different languages, most recently French and Italian. They also exhibit poems as sculpture with recent shows in London, Melbourne, Porto, Santander, and Tucson.

Craft Horizons was an influential American craft magazine published from 1941 to 1979 that documented and shaped the mid-century studio craft movement.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Sheila Hicks at Galerie Alice Pauli, Lausanne, 12 June–31 July, 1975.

Sheila Hicks (born July 24, 1934) is an American artist and a pioneering figure in fibre art. Working across six decades, she expanded the scale and ambition of textile practice from small hand woven works to monumental hanging columns made up of vibrant fibres that occupy architectural space.

*Please note this publication is secondhand and may have some traces of previous ownership.

Publication on Le Centre International de la Tapisserie Ancienne et Moderne featuring the textile artists such as Sheila Hicks, Klara Kuchta, Pagoda Buic, Magdalena Abakanowicz amongst others.

*Please note this publication is secondhand and may have some traces of previous ownership.