Dictionary Dressings is an ongoing research project by Femke de Vries that uses the nature of the dictionary definition as a “zero condition” for a piece of clothing to decode clothes and explore an alternative fashion vocabulary.

The book contains an introductory conversation by the editor/artist/researcher Femke de Vries with Ruby Hoette, text contributions by Joke Robaard and Barbara Brownie and visual contributions by BLESS, Conny Groenewegen, Elisa van Joolen and Students from the HKU (University of the Arts Utrecht) 2015/16.

“Every now and then, I briefly describe the bodily positions Jo and myself are laying in as we awaken. Still half asleep, usually with my eyes closed, I try to work out our positions in relation to one another and in relation to gravity. 46 of those descriptions are collected in this book”—Toine Horvers

“On a weekday in 1999, from a fixed point inside Chartres cathedral, I made an hour long sound recording. At the time of recording, no organised religious activity was taking place. The building was being visited by tourists and groups of believers who were talking, praying and singing.

In 2013, I began to translate this universe of sounds into words and sentences, without stating the source of the sound or referring to the physical space of the cathedral.”—Toine Horvers

Revue Faire is a bi-monthly magazine dedicated to graphic design, published from October to June, distributed each two months in the form of anthologies of three or four issues. Created by Empire, Syndicat studio’s publishing house. Each publication documents a specific object, addressed by a renowned author, for this edition François Havegeer and Sacha Léopold (Syndicat) invited Aurélien Mole, Jérôme Dupeyrat, Mathias Augustyniak (M/M Paris) and Thierry Chancogne to express their views on art posters, artist posters, posters made by artists, posters made with artists, posters made for artists, and the occasional participation of graphic designers.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.

Produced on the occasion of Marc Nagtzaam’s exhibition Erased Tapes at Barbara Seiler Galerie, Zurich, 25 August–1 October, 2011.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.