The first book by the artist Lucy McKenzie, published on the occasion of her exhibition at Galerie Buchholz, Köln, 7 September – 6 October, 2001. With various colour reproductions of paintings/works and reference material, foldout-pages, texts and interviews by the artist. Designed by Yvonne Quirmbach.

Philipp Gufler blends art with activism and history education. His research-based artistic work centers on the study of queer life and the aesthetic practices of LGBTQIA+ movements. To investigate them, the artist harnesses pop-cultural and literary references and translates knowledge gleaned from mass media and historical archives into videos, silkscreen prints, installations, and performances. Besides documentary evidence from the media, the materials out of which he makes his works include interviews with contemporary witnesses, artists, activists, and theorists. Gufler’s critical studies draw connections between historic attitudes toward queer identity and their relevance to current debates as well as institutional critique. Designed by Yvonne Quirmbach.

Produced on the occasion of three exhibitions by Michael Krebber Respekt Frischlinge at Galerie Daniel Buchholz, Je suis la chaise at Galerie Chantal Crousel & London Condom at Maureen Paley.

Designed by Michael Krebber and Yvonne Quirmbach.

Produced on the occasion of the exhibition Example: Dix-Huit Leçons sur la Société Industrielle at the Contemporary Art Gallery, January 13 – March 6, 2005.

It includes a forward by Christina Ritchie, essays; Mechanization takes command: Modernization, Terminable and interminable by John Miller and Some References for Christopher Williams by Claudia Beck.

Designed by Christopher Williams with Yvonne Quirmbach.

Video peepshows, porno theatres, garden pavilions—with subtle insight, Tom Burr (*1963) sheds light upon what is marginalized, or not immediately recognizable. His works, which make reference to Minimal art’s object sculptures, redefine them in current socio-economic “queer” aspects. By acting as an intermediary between formal stringency and socio-political content, Tom Burr’s works overcome Hal Foster’s criticism that Minimal art tended to “handle the viewer as historically innocent and sexually indifferent.” With comprehensive texts and illustrations, this book features an artist who belongs among those who have shaped a new form of institutionally critical art.

With texts from Tom Burr, Carina Herring and Juliane Rebentisch.

Produced on the occasion of the exhibition Kunst Aus Los Angeles Der 60Er Bis 90Er Jahre at the Kunstverein Braunschweig, 2 December, 2006–18 February, 2007, which concentrated on artistic positions from the Sixties to the Nineties and on works which explore conceptual approaches (Bas Jan Ader, Michael Asher, John Baldessari, Chris Burden, Douglas Huebler, Larry Johnson, William Leavitt, Bruce Nauman, Maria Nordman, Stephen Prina, Allen Ruppersberg, Ed Ruscha, Christopher Williams) as well as on Mike Kelley, Paul McCarthy and Raymond Pettibon’s more recent Pop-Art-based assemblages which expose everyday myths, prejudices, and tenets of belief as lies that serve to perpetuate social oppression.

Designed by Yvonne Quirmbach.