Produced on the occasion of the exhibition Guy de Cointet: Tempo rubato at Fundación/Colección Jumex, 3 December, 2012–14 February, 2013.

Guy de Cointet’s oeuvre, which includes drawings, publications, performance and film, intersects many of these areas of investigation, being at once performative, conceptual, minimalist, abstract and inspired by historic events, popular culture and mass media.

This publication includes a facsimile of the script for IGLU, a play he wrote in 1977, and its translation to Spanish.

The Los Angeles-based artist and art writer Frances Stark has gathered an international cult following for her prolific prose and her smart, honest and intimate artwork. This engaging artist’s book is conceived as a companion piece to Stark’s Collected Writings 1993–2003, fashioning itself as a graphic counterpart that draws from the artist’s paintings, collages, drawings, videos, poetry and more, from 1993 to the present. Through provocative and diaristic text notes printed alongside Stark’s sometimes humorous, often self-scrutinizing images, Collected Works addresses the paradox of reproducing visual art that is essentially non-photogenic by nature–because of its tactility, detail or scale.

Produced on the occasion of the awarding of the Wolfgang-Hahn Prize to Henrik Olesen, 17 April–29 July, 2012 at the Museum Ludwig, Köln. With texts by Josef Strau and Carla Cugini.

Produced on the occasion of Trisha Donnelly being awarded the 2017 Wolfgang-Hahn-Preis. Foreword from Mayen Beckmann & Yilmaz Dziewior. Texts from Suzanne Cotter & Barbara Engelbach.

Produced on the occasion of Armin Krämer & Kai Althoff’s exhibition at Kunstverein Braunschweig, 21 September–10 November, 2002. With texts by Kai Althoff and Armin Krämer, Miriam Tölke. Edited by Karola Grässlin.

Conceived and designed by Wolfgang Tillmans, and published in association with the exhibitions Rebuilding the Future at IMMA, Dublin and Today Is The First Day, at WIELS, Brussels, this richly illustrated artist’s book explores the latest developments in Tillmans’s work over the last three years. Spanning the artist’s multifaceted approach to image-making, video, performance, music and political activities, presenting newly commissioned texts from contributors including novelist Olivia Laing, historian Brian Dillon, curator Catherine Wood, and geologist Dr David Chew. The scope of the book includes over 30 pages featuring his set design for the English National Opera’s production of War Requiem, recent portraits, and detailed installation views.