Sequence Of Events #1–10
Fiona Connor
Published by Secession, Vienna & Revolver Publishing, Berlin, 2019, 20 pages (colour & b/w ill.), 25.5 × 10.5 cm, English
Price: €15

A text by Leslie Dick runs adjacent to 10 postcards featuring a Sequence of Events, a series of mostly permanent installations in homes. The project draws lines between public institutions, apartment galleries, private residences, owned homes, social housing, and rented apartments. A Sequence of Events questions the duration, visibility, and boundaries of a site, including that of an artist’s book.

#2019 #fionaconnor #revolverpublishing #secession
Four Seasons
Yuji Agematsu
Published by Sequence Press, New York; Secession, Vienna & Revolver Publishing, Berlin, 2021, 128 pages (two 64 page sections) (colour & b/w ill.), 17.5 × 24.5 cm, English
Price: €37 (Temporarily out of stock)

Yuji Agematsu, Four Seasons is a unique artist book presenting the artist’s renowned zips, miniature sculptures comprised of reanimated urban detritus collected by Agematsu on daily walks in New York City and encased within the cellophane wrappers of cigarette packs.

The publication accompanies an exhibition at the Secession, Vienna of 366—one per day—of these arrangements from 2020, that infamous calendar year. The book features images of a selected month from each of the four seasons.

Designed by Studio Claus Due, Copenhagen.

#2021 #revolverpublishing #secession #sequencepress #yujiagematsu
THE SIDE ROOM
Rossella Biscotti
Published by Revolver Publishing, Berlin, 2013, 144 pages (colour & b/w ill.), 16.5 × 22.2 cm, German/English
Price: €18

Produced on the occasion of Rossella Biscotti’s 2013 exhibition The Side Room, at Secession, Vienna, 5 July–1 September, 2013. With texts from Carolyn Christov-Bakargiev, András Pálffy, Bettina Spörr, Laboratorio Onirico.

Designed by Louis Lüthi.

#2013 #louisluthi #rossellabiscotti #secession
Vincent Fecteau
Published by Secession, Vienna, 2016, 56 pages (colour & b/w ill.), Hardcover, book block in leporello fold, 12.7 × 17.8 cm, English
Price: €55

Produced on the occasion of Vincent Fecteau’s 2016 exhibition at Secession, Vienna.

Fecteau’s abstract sculptures defy summary description. Out of everyday staples like papier-mâché, cardboard, pictures from magazines, and paint, he fashions complex objects in which spaces simultaneously collapse and explode. Reminiscent, in many instances, of the elemental forms of early twentieth-century art, his works evoke associations ranging from utopian architecture and avant-garde stage design to masks and industrially manufactured components, yet they do not spell out their references. They keep their secret in a deliberate and insistent refusal to communicate definite meaning, indicating the artist’s emphasis on sculpture as sculpture and the agency it possesses as a real thing in the world.

In his exhibition in the Secession’s main gallery, the first time his work is on display in Austria, Vincent Fecteau presents a new series of ten painted sculptures. Their fairly large rectangular shapes only distantly recall the boxes for cut flower with which the artist started. Alternately adding and removing elements in a playful cumulative practice that is characteristic of his art, Fecteau has transformed them into convoluted volumes.

#2016 #secession #vincentfecteau
SECESSION
Christopher Williams
Published by Verlag der Buchhandlung Walther König, Köln, 2005/06, 96 pages (colour & b/w ill.), 21 × 29.5 cm, English / German
Price: €45 (Out of stock)

Christopher Williams precise photographs retain in a paradoxical way what is in the process of vanishing. His photographs, influenced by the advertising aesthetics of the 1960s or 70s tend to become as anachronistic as their motifs. Published as the second volume of the De Rijke / De Rooij catalogue on the occasion of their exhibition at the Vienna Secession, the two volumes are, however, independently conceptualized artist`s books.

#2005 #2006 #christopherwilliams #secession #verlagderbuchhandlungwaltherkonig
Shandyismus, Autorschaft als Genre
Helmut Draxler
Published by Secession, Vienna and Merz Akadamie, Stuttgart, 2007, 332 pages (colour & b/w ill.), 21 × 30 cm, German / English
Price: €18

Published on the occasion of the exhibition Shandyismus, Autorschaft als Genre curated by Helmut Draxler, Secession, Vienna, 22 February–15 April, 2007.

The exhibition Shandyismus. Autorschaft als Genre refers to Laurence Sterne’s novel The Life and Opinions of Tristram Shandy, Gentleman from the 18th century. It will focus on Shandyism as a phenomenon or position, reflecting the diversity of points of contact with the media. A number of existing art works will be shown that express the methodological idiom of Shandyism. At the same time, artists have been invited to develop a “Shandyesque intervention” for the exhibition.

Artists: Monika Baer, Georg Baselitz, Bernadette Corporation, Max Bill, Marcel Broodthaers, Marcel Duchamp, Jack Goldstein, Gareth James, Sergej Jensen, Chuck Jones, David Jourdan, Jutta Koether, Louise Lawler, Olia Lialina und Dragan Espenschied, Robert Frank, Martin Kippenberger, Michael Krebber, Christian Philipp Müller, Michael Schuster, Josef Strau, Franz West sowie , Diedrich Diederichsen, Michael Dreyer, Clemens Krümmel, Franz Reitinger, Drehli Robnik, André Rottmann, Astrit Schmidt-Burkhardt, Tanja Widmann.

Texts: Diedrich Diederichsen, Helmut Draxler, Michael Dreyer, Clemens Krümmel, Shaun Regan, Franz Reitinger, Drehli Robnik, André Rottmann, Astrit Schmidt-Burkhardt, Peter de Voogd, Tanja Widmann.

#2007 #andrerottmann #christianphilippmuller #diedrichdiederichsen #helmutdraxler #josefstrau #juttakoether #louiselawler #marcelbroodthaers #martinkippenberger #maxbill #michaeldreyer #michaelkrebber #monikabaer #secession #tanjawidmann