Catalogue accompanying Jutta Koether’s exhibition How goes it? at Galerie Buchholz, Köln in September 2021. This orange envelope contains 5 colour plate reproductions of the paintings featured in the exhibition, alongside 5 black and white text cards with a written correspondence between Sabeth Buchmann and the artist.

Domenico Gnoli is known for his analytical paintings, which exist at the intersection of minimalism, hyperrealism and pop art.

Produced on the occasion of Domenico Gnoli’s exhibition at the Museum Boijmans Van Beuningen, Rotterdam, 14 September–4 November, 1973.

With texts from Guy Joufroy and Alain Dumur.

Produced on the occasion of Vivian Suter’s exhibition at Kunstmuseum des Kantons Thurgau, Kartause Ittingen, 1983.

Produced on the occasion of Situation Schweiz a series of exhibitions at Galerie nächst St. Stephan, Wien, Galerie Krinzinger, Vienna, Forum für aktuelle Kunst, Innsbruck, and the Stiftung Pro Helvetia, 17 March–3 October, 1981.

This comprehensive monograph ventures a look at Vivian Suter’s complete works, bringing together early drawings, painterly wall reliefs from the 1980s, and her latest work from her studio in the tropical rainforest of Guatemala: loose canvases hanging lightly from the ceiling in atmospherically dense installations. The richly illustrated catalog illuminates the interplay between unpredictable natural influences as the paintings are left outside open to the elements and purposeful artistic work in Suter’s practice. Designed by Julia Born.

Produced on the occasion of John Nixon at Superweakness, Den Haag, 7–28 November 2021.

John Nixon was a seminal figure in contemporary Australian abstraction. From 1968, his work was dedicated to the on-going experimentation, analysis and development of radical modernism, minimalism, the monochrome, constructivism, non-objective art and the readymade; which were key reference points in his work. Experimental Painting Workshop (EPW), which the artist named in 1990, but which covers works dating back to 1968, formed the basis of Nixon’s rigorous and long-standing intellectual investigation into the making of art, which over time expanded to encompass not only painting, but collage, photography, video, dance and experimental music performance.