Produced on the occasion of Vivian Suter’s 2004 exhibition at the Kunstmuseum Olten.

More than thirty years ago the Swiss-Argentine artist Vivian Suter moved to the rain forest in Panajachel, Guatemala, to live on a former coffee plantation. Since then she has worked on her impressive paintings in her wooden-hut studio, as well as outdoors. Her canvases lie on the sandy ground or hang in trees; dust, mud, leaves, mangos, and insects leave their traces on them. Her painting is influenced by organic processes and coincidence—even natural disasters are her material, when flood waters make their mark on canvases, becoming part of her large, colourful paintings.

A projected multivolume catalogue of the Michael Krebber’s complete work, compiling high-quality photographs, material descriptions, and provenance of his output in all media. Focused on his early work, this first volume includes paintings, sculptures, works on paper, and film from 1972 to the year 2000. Opening with a historical essay that traces the genesis of Krebber’s practice in relation to contemporaries such as Martin Kippenberger and Albert Oehlen, the book also contains numerous short texts analyzing and contextualizing individual works. In addition to a full biography and bibliography, the catalogue raisonné features extensive documentation of Krebber’s early exhibitions, many of which have not been published before.

This book documents Amelie von Wulffen’s exhibitions at Reena Spaulings Fine Art, New York; Gió Marconi, Milan; KW Institute for Contemporary Art, Berlin; Établissement d’en face, Brussels; Galerie Meyer Kainer, Wien between 2018 and 2022. With texts from Helmut Draxler, Valérie Knoll & Tonio Kröner.

The first monograph on the artist Ulla Wiggen. This comprehensive catalogue contains new texts by Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, and Caleb Considine. The publication reproduces nearly all of the artist’s paintings since 1963.

René Daniëls is considered one of the most eminent Dutch painters of his generation. In his work he links art and its rich history to literature and everyday life, following in the footsteps of, amongst others, Marcel Duchamp and René Magritte. Ambiguity and double meanings play an important role in what he calls “visual poetry”.

Produced on the occasion of the exhibition Ellsworth Kelly Paintings and Sculptures 1963–1979 at the Stedelijk Museum, Amsterdam, 13 December, 1979–3 February 1980.

SM Cat. No 663.

Designed by Wim Crouwel and Artlette Brouwers (Total Design).

*Please note this publication is secondhand and has some traces of previous ownership.