Produced on the occasion of the exhibition Konrad Klapheck: Paintings from 1955 to 1998 at Zwirner & Wirth, New York, 8 November – 22 December, 2007.

This first English-language monograph brings together an astonishing group of paintings that span the course of German painter Konrad Klapheck’s six-decade-long career–from his painterly investigations of technological machines and everyday objects such as typewriters, sewing machines and ventilators to his more recent figurative work.

Includes a conversation with Christopher Williams and a text from André Breton. Designed by Christopher Williams.

Produced on the occasion of the exhibition Francis Picabia, which travelled to Isetan Museum of Art, Tokyo, 12 August–7 September, 1999; Iwaki City Art Museum, Fukushima, 17 October–14 November 1999; Kintetsu Art Museum, Osaka, 26 January–9 February, 2000.

Francis Picabia was a French avant-garde painter, writer, filmmaker, magazine publisher, poet, and typographist. He was one of the early major figures of the Dada movement in the United States and in France and was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Francis Picabia, at The Museum of Modern Art, Seibu Takanawa, 21 July – 5 September, 1984 and the Seibu Museum of Art, Tokyo 9 September – 21 October 1984.

*Please note this publication is secondhand and has some traces of previous ownership.

Invitation card produced on the occasion of Gerwald Rockenschaub’s exhibition at Galerie nächst St. Stephan, Vienna, 3 May–22 June, 1986.

Gerwald Rockenschaub works within a formal repertoire that he began developing in the 1980s when he was a central figure in the emerging “neo-geo” (neo-geometric conceptualism) movement. Uniquely influenced by his work as a techno DJ and composer of electronic music, Rockenschaub absorbs the everyday imagery and forms of logos, traffic signs, and pictograms to produce sculptures, wall installations, and animations that render an aura of hyperrealist perfection.

Publication produced on the occasion of Gerwald Rockenschaub’s exhibition at Galerie nächst St. Stephan, Vienna, 3 May–22 June, 1986.

Gerwald Rockenschaub works within a formal repertoire that he began developing in the 1980s when he was a central figure in the emerging “neo-geo” (neo-geometric conceptualism) movement. Uniquely influenced by his work as a techno DJ and composer of electronic music, Rockenschaub absorbs the everyday imagery and forms of logos, traffic signs, and pictograms to produce sculptures, wall installations, and animations that render an aura of hyperrealist perfection.

Between December 2022 and March 2023, Vivian Suter shared hundreds of photos, all taken with her mobile phone, with the designer and editor of this book. A selection of these snapshots, condensed, juxtaposed, complementing each other, now forms a kind of photographic journal. It offers insights into Suter’s work on her art and everyday life, which are inextricably interwoven: Photos of canvases and paint pots in the thicket of her jungle-like garden and in the studio, of her dogs, of the house with its characteristic aquamarine green and purplish-red walls, of family pictures, of the play of light and shadow in nature and architecture. Among the many photos, one occasionally finds images of watercolours on (coloured) paper, which the artist made especially for the book. Designed by Sabo Day.