Fanal – a recondite word for lighthouse or torch, and a cognate in German and English – began as Kai Althoff’s solo step outside of his long running and in certain spheres abundantly cherished (and in certain spheres perfectly uncomprehended) duo with Stephan Abry. The first Fanal album is a primarily instrumental collection bolstered and upholstered with muscular synthesizer arpeggiations and martial drum machines. After Workshop’s intimacies, Fanal’s relative coldness made the project seem as distant and magisterial as the secluded castle pictured on the album cover (not to mention the sublimity of the castle’s manicured grounds).

*Please note this publication is secondhand and has some traces of previous ownership.

Inklusive is a play written by Bavarian playwright Franz Xaver Kroetz.

It is part of a trilogy of radio plays from 1971 titled Trilogie Münchener Lebens. The play was first broadcast as a radio play in former West Germany on Südwestfunk in 1972. A second version was broadcast in former East Germany on Rundfunk der DDR in 1974. The West and East German broadcasts are the basis for two radio play adaptations by artist Christopher Williams. Both adaptations are recorded in German using the same technology used to produce the original broadcasts of 1972 and 1974.

Recorded documentation of a reading that took place in Berlin in April 2021. Jimmie Durham reads from his books Columbus Day 1983, Poems That Do Not Go Together 2012, and Particle/Word Theory 2020, as well as other, unpublished poems. The record includes an accompanying booklet with drawings by Jimmie Durham and a text by the poet Ammiel Alcalay, who locates Durham’s poetry in American literature.

Jimmie Durham was an artist, poet, essayist and political activist. In 2019 he was awarded the Golden Lion for his life’s work at the Venice Biennale.

A vinyl publication dealing with seductive, nevertheless problematic computer-brain-analogies while acknowledging potential other-than-human intelligence/intelligent behaviour. It unfolds a poetic narrative of a machine that is talking back. This machine questions humans’ thinking and perception of the world in restrictive (binary) categories while expressing at the same time it’s longing for connection and for merging with its surrounding. The vinyl of THE BEHEADING OF THE FRUIT FLY contains electromagnetic sound emission of JUQUEEN, initially the fifth most powerful supercomputer in the world, located at the Forschungszentrum Jülich in Germany.

Tris Vonna-Michell’s artist’s record/book is constructed around two works, Capitol Complex (2012–2014) and Ulterior Vistas (2012–2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages.

British artist Tris Vonna-Michell (born 1982 in Southend-on-Sea, England, lives and works in London and Berlin) is a memory traveler who runs through the past and present. In his works, images, sound, light, and the most ordinary objects become the material of a totally individual experience where reality and fiction merge, and journey, memories, and invention coexist.

More information on the work can be found here and here.

Jan Van Den Dobbelsteen’s 2004 record, COSMIC VOLUME # 17, with artwork by Marc Nagtzaam.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.