Produced on the occasion of the exhibition Prunella Clough, 50 Years of Making Art at Annely Juda Fine Art, London, 28 January–21 March, 2009.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Prunella Clough, Working Drawings 1946 – 1998 at Annely Juda Fine Art, London, 24 September–24 October, 1998.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Prunella Clough, The Late Paintings and selected earlier works at Annely Juda Fine Art, London, 1 November–16 December, 2000.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Prunella Clough at Annely Juda Fine Art, London, 24 May–8 July 2017.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Henrik Olesen: Food chain incl. prehistoric animals at Den Frie Udstillingsbygning, Copenhagen, 22 February–20 April, 2025. More information on the exhibition can be found here.

For decades, Maurizio Nannucci has preserved exhibition invitation cards. The collection comprises both invitations and announcements from artists whose approaches to art are close to his own. Yet many also come from wider circles of artist friends, colleagues, galleries, and museums, allowing a chronology of relationships and information exchanges to emerge. The selection in this volume makes visible how this kind of communication – often conceived by the artists themselves – superimposes the purely informative value of the printed matter with the freedom of artistic expression; evidence of a holistic practice where such cards can become artworks in their own right.