Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is recognized for her iconic collaged black-and-white photographs, overlaid with declarative captions. These phrases paired with such pronouns as “you,” “your, “I,” “we,” and “they,” address cultural constructions of power, identity, consumerism, and sexuality. Kruger utilizies mass communication and advertising techniques to explore these issues and is aligned with with such feminist post modern artists as Jenny Holzer and Sherrie Levine who implement similar techniques.

*Please note this publication is secondhand and has some traces of previous ownership.

Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is recognized for her iconic collaged black-and-white photographs, overlaid with declarative captions. These phrases paired with such pronouns as “you,” “your, “I,” “we,” and “they,” address cultural constructions of power, identity, consumerism, and sexuality. Kruger utilizies mass communication and advertising techniques to explore these issues and is aligned with with such feminist post modern artists as Jenny Holzer and Sherrie Levine who implement similar techniques.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Pieter Laurens Mol’s inclusion in the exhibition Passages at the Haags Centrum voor Actuele Kunst, Den Haag, 1994. A sachet that contains 4 grams of a mixture of salt and sugar.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Ed Atkins’ The worm, 1 June – 1 July, 2023 at Parnassusweg 220, Amsterdam as part of the Holland Festival. Atkins presented a telephone call with his mother. “[She] is heard but not seen, while Atkins is rendered, by way of performance-capture technology, as a digital avatar who listens attentively, mumbling in agreement, sympathy, or surprise, asking a question only when her narrative falters.”

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Ed Atkins at MoMA PS1, New York, 20 January – 14 April, 2013.

Known for his high-definition videos that defy narrative conventions, Ed Atkins works with filmic and text-based forms in technological transition. The artist considers HD technology deathlike because of how it intensifies the visibility of the filmed subject, creating an image that prioritises its own representation over the language, character, and emotions of the figures it depicts. Often creating installations that include collage, drawing, and other mediums, the artist deploys this bodiless movie format to highlight the conflicting intimacies that today’s mechanisms of cultural production represent and allow us to achieve.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Deadline, at Musée D’art Moderne De La Ville De Paris, 16 October, 2009 – 10 January, 2010. Including artists Absalon, Gilles Aillaud, James Lee Byars, Chen Zhen, Willem de Kooning, Felix Gonzalez-Torres, Hans Hartung, Jörg Immendorff, Martin Kippenberger, Robert Mapplethorpe, Joan Mitchell, Hannah Villiger.

*Please note this publication is secondhand and has some traces of previous ownership.