Produced on the occasion ofContinuous Moment: Big Foot’s Studio, VCA Margaret Lawrence Gallery, 5 October–5 November, 2016.

Continuous Moment: Big Foot’s Studio is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light, Continuous Moment: Big Foot’s Studio can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text By Rex Butler. Designed by Warren Taylor.

Produced on the occasion of Continuous Moment: Le Desir/Lejeuner, presented by Melbourne Srt Theatre at the Gossard Theatre, RMIT School of Art, June 25, 2018.

Continuous Moment: Le Desir/Lejeuner is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light,Continuous Moment: Le Desir/Lejeuner can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Designed by Warren Taylor.

Continuous Moment: Le Desir… is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light,Continuous Moment: Le Desir… can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text by Chris Sharp. Designed by Warren Taylor.

Produced on the occasion ofContinuous Moment: Sordid’s Hotel, Centre for Contemporary Photography, 7 February–23 March, 2014.

Continuous Moment: Sordid’s Hotel is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light, Continuous Moment: Sordid’s Hotel can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text by Helen Johnson. Designed by Warren Taylor.

Poster/invitation produced on the occasion of Experimental Jetset’s exhibition Posters, 13 July–4 August, 2007 at the Narrows, Melbourne.

Experimental Jetset is a small, independent, Amsterdam-based graphic design studio, founded in 1997 by (and still consisting of) Marieke Stolk, Erwin Brinkers and Danny van den Dungen. Focusing on printed matter and site-specific installations, and describing their methodology as “turning language into objects”, Experimental Jetset have worked on projects for a wide variety of institutes.

More information on the exhibition can be found here.

Produced the occasion of the screening of Tom Zubrycki’s unfinished documentary film on the history of the Australian labour movement, from the 1850’s up until the bicentenary of 1988. Originally sponsored by the Australian Council for Trade Unions, produced by Film Australia, and funded by the Australian Bicentennial Authority, the film was effectively censored when the ACTU rejected the film’s representation of union history.

With an excerpt from John Hughes’ manuscript for his essay Zubrycki’s Point: Amongst Equals, utilitarian film in the Australian labour movement, on the controversy surrounding the production of Amongst Equals.

Designed by Ziga Testen.

More information on the screenings can be found here.