Produced on the occasion of Henrik Olesen’s exhibition at Museo Reina Sofía, Madrid, 26 June–21 October, 2019.
Produced on the occasion of Henrik Olesen’s exhibition at Museo Reina Sofía, Madrid, 26 June–21 October, 2019.
Produced on the occasion of Henrik Olesen’s exhibition at Museo Reina Sofía, Madrid, 26 June–21 October, 2019.
Exhibition pamphlet produced on the occasion of the exhibition Cy Twombly Sculpture at Gagosian Gallery, London, 30 September – 21 December, 2019.
Ian Wilson has been exploring spoken language as an art form since 1968. He has described his own work as “oral communication” and later as “discussion”. At Wilson’s own request, his work is neither filmed nor recorded, thereby preserving the transient nature of the spoken word. On April 28, 2013 a discussion, based on the topic of The Absolute in Art, took place at the Haubrok Foundation, Berlin.
Ian Wilson has been exploring spoken language as an art form since 1968. He has described his own work as “oral communication” and later as “discussion”. At Wilson’s own request, his work is neither filmed nor recorded, thereby preserving the transient nature of the spoken word. A discussion, based on the topic of The Absolute in Art, took place in May 2017 atKW Institute for Contemporary Art, Berlin and reassembled the artist, the director and current staff members of the institution.
A promotional poster published by Art Metropole for Ian Hamilton Finlay’s Bicentennial Proposal: The French War: The War of the Letter curated by Peter Day and was exhibited at Art Metropole between 23 September–21 October, 1989.
The sheet music depicted is composed by Peter Davidson entitled Two Flutes for St. Just. and subtitled Music for the opening of Ian Hamilton Finlay’s Bicentenary Celebrations.