の実験 私的遊戯の実験 Film Program
Man Ray
Published by SEED, Tokyo, 1989, folded concertina pamphlet (b/w ill.), 18.4 × 13 cm (folded) 18.4 × 91 cm (unfolded), Japanese
Price: €20 (Out of stock)

Pamphlet to accompany the presentation of Man Ray’s films at SEED, Tokyo. The season ran from Tuesday 9 September–Thursday 26 September, 1989.

#1989 #ephemera #experimentalfilm #manray
の実験 私的遊戯の実験 Film Program
Man Ray
Published by SEED, Tokyo, 1989, folded concertina pamphlet (b/w ill.), 18.4 × 13 cm (folded) 18.4 × 91 cm (unfolded), Japanese
Price: €20 (Out of stock)

Pamphlet to accompany the presentation of Man Ray’s films at SEED, Tokyo. The season ran from Tuesday 9 September–Thursday 26 September, 1989.

#1989 #ephemera #experimentalfilm #manray
Drive
Janet Burchill and Jennifer McCamley
Published by Janet Burchill and Jennifer McCamley, Melbourne, 2002, 8 postcards (colour & b/w ill.), 14.8 × 10.5 cm (each), English
Price: €5

A set of 8 postcards in a plastic slipcase, produced by Janet Burchill and Jennifer McCamley in 2002.

#2002 #ephemera #janetburchillandjennifermccamley
Continuous Moment: Trans-Company
Damiano Bertoli
Published by The Narrows, Melbourne, 2015, 4 page concertina fold (b/w ill.), 10.5 × 29.7 cm (folded) 42 × 29.7 cm (unfolded), English
Price: €2

Produced on the occasion of Continuous Moment: Trans-Company, The Other Side, 9 February–17 April, 2015.

Continuous Moment: Trans-Company is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light,Continuous Moment: Trans-Company can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text by Nik Papas. Designed by Warren Taylor.

#2015 #damianobertoli #ephemera #thenarrows #warrentaylor
Continuous Moment: Big Foot’s Studio
Damiano Bertoli
Published by The Narrows, Melbourne, 2016, 4 page concertina fold (b/w ill.), 10.5 × 29.7 cm (folded) 42 × 29.7 cm (unfolded), English
Price: €2

Produced on the occasion ofContinuous Moment: Big Foot’s Studio, VCA Margaret Lawrence Gallery, 5 October–5 November, 2016.

Continuous Moment: Big Foot’s Studio is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light, Continuous Moment: Big Foot’s Studio can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text By Rex Butler. Designed by Warren Taylor.

#2016 #damianobertoli #ephemera #rexbutler #thenarrows #warrentaylor
Continuous Moment: Le Desir/Dejeuner
Damiano Bertoli
Published by The Narrows, Melbourne, 2018, 4 pages (b/w ill.), 10.5 × 29.7 cm (folded) 21 × 29.7 cm (unfolded), English
Price: €2

Produced on the occasion of Continuous Moment: Le Desir/Lejeuner, presented by Melbourne Srt Theatre at the Gossard Theatre, RMIT School of Art, June 25, 2018.

Continuous Moment: Le Desir/Lejeuner is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light,Continuous Moment: Le Desir/Lejeuner can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Designed by Warren Taylor.

#2018 #damianobertoli #ephemera #thenarrows #warrentaylor