Between Ears, New Colours
Elena Narbutaitė and Hagar Schmidhalter
Published by CRAC Alsace, Centre rhénan d’art contemporain, Altkirch, 2020, leporello, 5.2 × 7.3 cm (unfolded 5.2 × 31.2 cm), English / French
Price: €3

Invitation and pamphlet produced on the occasion of Between Ears, New Colours, a group exhibition with Elena Narbutaitė and Hagar Schmidhalter, curated by Elfi Turpin at CRAC Alsace. Designed by Charles Mazé & Coline Sunier. More information on the exhibition can be found here.

#2020 #charlesmazeampcolinesunier #elenanarbutaite #ephemera
Snow, Weiner, Nannucci
Michael Snow, Lawrence Weiner, Maurizio Nannucci
Published by Art Metropole, Vancouver, 1987, 5 pages, 21 × 27.5 cm, English
Price: €6 (Out of stock)

Exhibition pamphlet with essay by Peggy Gale and list of artists’ books, multiples and recordings from Art Metropole’s Permanent Collection: 22 works by Michael Snow, 108 works by Lawrence Weiner, and 36 works by Maurizio Nannucci. Introduction by AA Bronson.

#1987 #aabronson #ephemera #lawrenceweiner #maurizionannucci #michaelsnow
stanley brouwn
Published by Haubrok Foundation, Berlin, 2018, card, 14.8 × 10.5 cm, English
Price: €24

“Behind the standards put in place for the communication related to his exhibitions—the use of lowercase and Helvetica exclusively, the refusal to reproduce images of his work, to produce (or allow production of) written commentary on the subject of the same work, to appear in the context of a vernissage or even to answer an interview—the artist stanley brouwn builds his identity by way of ellipses. The invitation cards for his solo exhibitions provide a symptomatic example: set almost exclusively in Helvetica, the absence of uppercase, flying in the face of the graphic identity of the gallery or the host institution, they seem impossible to date, give or take twenty years”—Céline Chazalviel, Revue Faire –To look at things #4, 2017

#2018 #ephemera #haubrokfoundation #stanleybrouwn
stanley brouwn
Published by Haubrok Foundation, Berlin, 2014, card, 13 × 10 cm, English
Price: €24

“Behind the standards put in place for the communication related to his exhibitions—the use of lowercase and Helvetica exclusively, the refusal to reproduce images of his work, to produce (or allow production of) written commentary on the subject of the same work, to appear in the context of a vernissage or even to answer an interview—the artist stanley brouwn builds his identity by way of ellipses. The invitation cards for his solo exhibitions provide a symptomatic example: set almost exclusively in Helvetica, the absence of uppercase, flying in the face of the graphic identity of the gallery or the host institution, they seem impossible to date, give or take twenty years”—Céline Chazalviel, Revue Faire –To look at things #4, 2017

#2014 #ephemera #haubrokfoundation #stanleybrouwn
stanley brouwn
Published by Haubrok Foundation, Berlin, 2012, card, 15 × 10.5 cm, English
Price: €24

“Behind the standards put in place for the communication related to his exhibitions—the use of lowercase and Helvetica exclusively, the refusal to reproduce images of his work, to produce (or allow production of) written commentary on the subject of the same work, to appear in the context of a vernissage or even to answer an interview—the artist stanley brouwn builds his identity by way of ellipses. The invitation cards for his solo exhibitions provide a symptomatic example: set almost exclusively in Helvetica, the absence of uppercase, flying in the face of the graphic identity of the gallery or the host institution, they seem impossible to date, give or take twenty years”—Céline Chazalviel, Revue Faire –To look at things #4, 2017

#2012 #ephemera #haubrokfoundation #stanleybrouwn
SEXO (EN PÚBLICO)
Henrik Olesen
Published by Museo Reina Sofía, Madrid, 2019, 16 pages, 21 × 29.7 cm, Spanish
Price: €7.50 (Out of stock)

Produced on the occasion of Henrik Olesen’s exhibition at Museo Reina Sofía, Madrid, 26 June–21 October, 2019.

#2019 #ephemera #henrikolesen