Produced on the occasion of the exhibition Ed Atkins at MoMA PS1, New York, 20 January – 14 April, 2013.

Known for his high-definition videos that defy narrative conventions, Ed Atkins works with filmic and text-based forms in technological transition. The artist considers HD technology deathlike because of how it intensifies the visibility of the filmed subject, creating an image that prioritises its own representation over the language, character, and emotions of the figures it depicts. Often creating installations that include collage, drawing, and other mediums, the artist deploys this bodiless movie format to highlight the conflicting intimacies that today’s mechanisms of cultural production represent and allow us to achieve.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Deadline, at Musée D’art Moderne De La Ville De Paris, 16 October, 2009 – 10 January, 2010. Including artists Absalon, Gilles Aillaud, James Lee Byars, Chen Zhen, Willem de Kooning, Felix Gonzalez-Torres, Hans Hartung, Jörg Immendorff, Martin Kippenberger, Robert Mapplethorpe, Joan Mitchell, Hannah Villiger.

*Please note this publication is secondhand and has some traces of previous ownership.

Pamphlet produced on the occasion of the exhibition James Lee Byars – The Perfect Axis at Schloss Benrath, Düsseldorf, 11 September, 2010 – 16 January, 2011

*Please note this publication is secondhand and has some traces of previous ownership.

Card produced on the occasion of the exhibition James Lee Byars – The Perfect Axis at Schloss Benrath, Düsseldorf, 11 September 2010 – 16 January 2011

*Please note this publication is secondhand and has some traces of previous ownership.

Poster produced on the occasion of Rosemarie Trockel’s exhibition Müllers Tochter at the Kunstverein Schwerte, 7 December, 1990 – 13 January, 1991.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Patty Chang: Glass Urinary Devices at A Tale of A Tub, Rotterdam, 14 September – 3 November, 2024. In 2015, American artist Patty Chang followed the South-to-North Water Diversion Project, the longest aqueduct in the world, which brings water from southern to northern China. While walking, she collected her urine in discarded plastic bottles found along the way, drawing a connection between the large-scale infrastructural attempt to control the flow of water and the uncontrollable flows of her own body. Once back in Boston, Chang made a series of hand-blown glass sculptures modelled on the plastic bottles that she utilised during her journey. For Chang’s exhibition at A Tale of A Tub, a collection of these prosthetic-like sculptures will be presented on the ground floor, reflecting on the flow of water that once passed through the former washhouse alongside Chang’s own ruminations on water as a metaphorical point of departure for geopolitics, human excess and waste.