Produced on the occasion of the exhibition Alexander Rodchenko 1891–1956 at the Van Abbemuseum, 11 May–17 June, 1979.

Alexander Rodchenko was one of the most versatile constructivist and productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Me in my going out of myself (and you in yours) by Reinier Vrancken & Émile Hermans at SB34 The Pool, Brussels. Designed by Robert Milne.

“…exchanges and relationships—from me to you and vice versa—with circulating objects and identities, fiction and artificiality, and unstable ontological statuses. From Émile Hermans to Reinier Vrancken, or the other way around, it’s a matter of becoming the other a little, of letting oneself be taken in hand so as to project unexpressed desires. In the space of SB34-The Pool, clothes are lent, flowers offered, we breathe the scent of a stranger, choose the work of a friend, project ourselves through it, and finally, with circumspection, decide on the status of what we have observed.”—exhibition press release

Second catalogue published by Seth Siegelaub’s International General book publishing and distribution project. In 1970, Siegelaub founded the company in an effort to streamline the dissemination of his self published exhibition catalogues as well as celebrated books & catalogues by Lippard, Ruscha, Weiner, Barry, Kosuth, and Dibbets.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Enrico Baj: Dame Idrauliche at Galerie Isabella Bortolozzi, Berlin, 11 January–11 February, 2020.

A contribution from the original publication On Taking a Normal Situation and Retranslating it Into Overlapping and Multiple Readings of Conditions Past and present.

An exhibition devised by Yves Aupetitallot, Iwona Blazwick and Carolyn Christov-Bakargiev within the framework of ANTWERP 93. Its title was inspired by Gordon Matta Clark who made one of his final works in the city, and which in turn led to the foundation of M HKA. In some ways the subject of this exhibition was ‘the exhibition’. What it proposed, however, was a new relation between structure, location, context, artist and audience.

Produced on the occasion of Willem Oorebeek’s exhibition at Galeire Paul Andriesse, Amsterdam, 12 January–13 February, 1991.

*Please note this publication is secondhand and has some traces of previous ownership.