Promotional flyer for the edition The Mystic Eyes by Betye Saar, produced on the occasion of Saar being awarded the 2020 Wolfgang Hahn Prize at the Museum Ludwig, Köln.
*Please note this publication is secondhand and has some traces of previous ownership.
The artist, filmmaker, writer, musician and gay rights activist Derek Jarman (1942–1994) powerfully marked twentieth-century British culture. This exhibition, with some seventy works, highlights his practice as a painter and assemblagist. It focuses on the last part of his life, starting at the time of his HIV-positive diagnosis. This period coincides with the creation of his legendary garden Prospect Cottage in Dungeness, Kent, whose cultivation was both a form of therapy and a metaphor for his own survival.
Promotional card for John Armleder’s edition Guitar Multiple (FS 164), produced by John Gibson Gallery, 1987.
Co-founder of the Ecart Group (1969) and closely affiliated with the Fluxus movement, visual artist John Armleder has since the end of the 1960’s created a polymorphic body of work which encompasses performance, drawings, sculptures and paintings.
Exhibition guide produced on the occasion of the first institutional solo exhibition in Germany dedicated to Vincent Fecteau, at Fridericianum, Kassel, 3 April–5 September, 2021. Encompassing more than sixty selected works created between 1993 and 2020, the show provided a comprehensive overview of Fecteau’s oeuvre.
Produced on the occasion of Richard Tuttle’s participation in the group exhibition Das kleine Spiel zwischen dem Ich und dem Mir – Kunst und Choreografie at Kolumba Museum, Köln.
Produced on the occasion of Christian Philipp Müller’s participation in documenta X in 1997, where he presented A Balancing Act, which took as its point of departure Joseph Beuys’ 7000 Oaks and Walter de Maria’s Vertical Earth Kilometer.
Christian Philipp Müller is a Berlin-based Swiss conceptual artist whose practice examines a range of issues from social and aesthetic concerns to design, national histories, and the institutional framing of culture. His projects are usually collaborative, interdisciplinary, and site-specific.
You can read more on the work (from October Vol. 82 (Autumn, 1997) here.