Booklet published to accompany the performance of Partial eclipse… at the Tate Gallery, London in September, 1981.

*Please note this publication is secondhand and has some traces of previous ownership. (Condition: as new)

Produced on the occasion of the performance of Partial Eclipse at de Appel Amsterdam, 25 April–10 May, 1980.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition An Autumn Lexicon at the Serpentine Gallery London, 29 September–20 November, 2016.

David Robilliard (b.1952, Guernsey) moved to London in the late 1970s where he established himself as a self-taught painter and poet. He began working for Gilbert & George after appearing as an ‘angry young man’ in their film The World of Gilbert and George (1981). They actively promoted him as their favourite artist and in 1984 published ‘Inevitable’, his first volume of poetry. Three years later, in 1987, Robilliard was diagnosed as HIV positive and in 1988 he died at the age of 36. In his short life he produced a modest but important body of work now held in significant public collections including the Museum of Modern Art, New York; Stedelijk Museum, Amsterdam; Tate Modern, London and the Van Abbemuseum, Eindhoven. His work is direct both in content and form, comical and yet ultimately deeply romantic.
—Rob Tufnell, David Robilliard: Disorganised Writings and Sketches press release, 2019.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Hans Schuil vijf schilderijen at Art & Project, Amsterdam.

*Please note this publication is secondhand and has some traces of previous ownership.

Programme produced on the occasion of Playbill Act V: Anna Daučíková & Helena Jiskrová at Torpedo Theatre, Amsterdam June 9, 2023.

Completely adept at taking on institutions that wield normative forms of power, Anna Daučíková is unashamedly informed by the value of her lived experience, a personal history that takes a guiding role within her practice, particularly the period of time during which she lived under surveillance in the former Soviet Union.

In an early photographic series titled Acadamey of the Arts (1988), Daučíková rightly takes up her position atop a plinth built into the side of the Academy of Arts building in Moscow, a subversive move given that it was a position traditionally reserved for the male greats. Daučíková went on to become a professor herself, and was for a long time one of the few women teaching at the academy in Prague. This biographical trajectory evolved into a series of films titled Portrait of a Woman with Institution, which plot out the relationships of various women to the institutions they inhabited. For Act V, one film from this series was screened, dedicated to Czech architect Helena Jiskrová. Alongside the screening, four pieces of furniture redesigned by Jiskrová from salvaged street materials set the scene for the viewing.