Produced on the occasion of the exhibition, Allan Sekula: Dismal science, photoworks, 1972-1996 at the Nederlands Foto Instituut, Rotterdam. With texts from Allan Sekula and Benjamin H.D. Buchloh.

*Please note this publication is secondhand and has some traces of previous ownership.

Documents Daniel Buren’s projects Les Couleurs : Sculptures, 1975 and Les Formes : Peintures, 1977, both at the Centre Georges Pompidou, Paris.

With contributions from Daniel Buren, Benjamin H.D. Buchloh, Jean-François Lyotard, and Jean-Hubert Martin. Cover design by Michael Asher & John Salmen.

You can see more on both bodies of work here and here.

*Please note this publication is secondhand and has some traces of previous ownership.

“A book by (Un livre de) R.H. Fuchs with the collaboration of (avec la collaboration de) Daniel Buren and with contributions by (avec des contributions de) André Bompard, B.H.D. Buchloh, Douglas Crimp, René Denizot.

All descriptions (photographs+texts+diagrams) here included correspond with works selected by Rudi Fuchs. This selection represents approximately seven percent of the work executed since 1965. Most descriptions are being done here for the first time. All descriptions have been written (or rewritten) especially for this book”

Designed by Walter Nikkels.

This catalogue is published on the occasion of Isa Genzken’s exhibition Early Works that took place at Galerie Buchholz Berlin gallery in 2013. The book contains a new essay by Benjamin H.D. Buchloh, both in English and in German as well as an extensive documentation on the artist’s early work starting in the late 1960s.

Published on the occasion of the exhibition John Knight: Some Works, 7 April–20 May, 1990 at Witte de With, Rotterdam. Text includes Benjamin H.D. Buchloh, Knight’s Moves: Situating the Art/Object and Anne Rorimer, John Knight: Designating the Site.

Since 1969, American artist John Knight (1945) has concentrated on the relationship between architecture, design and art. He bases his work on the interplay between the material object and its contextual conditions, and comments on the meaning of cultural object and cultural space by employing strategies that invert the conventions of production and reception. See more on the show here.