Objects is a two part publication. One publication lists every Object, including its weight, material and size from I to CV. The second one lists every Object shown at Vera Cortes, Lisbon.


Objects is a two part publication. One publication lists every Object, including its weight, material and size from I to CV. The second one lists every Object shown at Vera Cortes, Lisbon.


After a break-up and break-down, Daniel’s best friend, Zeno, asked him to travel on the weekends to London and visit the clubs playing Drum’n’Bass. This publication is dedicated to Zeno, with a DJ-set of records from Daniel’s collection made for him.



Each publication contains a unique photograph taken during a journey crossing the Albanian mountains in the summer of 2023. Edition of 50






Dedobbeleer is known for his sculptures and installations in which everyday objects (such as lamp, key holder, door knob, or plant pot) are modified, assembled, and recontextualized with a distinctive tongue-in-cheek—and at times even burlesque—spirit. Adorned with absurd (randomly chosen) titles, his works can be seen as joyful collisions of language and matter. Yet, this approach is not merely an act of formal entertainment. Nourished by an in-depth knowledge of art history and (seemingly) inexhaustible technical resources, the artist’s work establishes an ongoing dialogue with a broader tradition of sculpture, including its relation to architecture, industrial design, DIY culture, images, and book making.






The human body is a central focus in Philipp Gufler’s mirror painting series. Looking at the work, the spectator is confronted with their own image. To make these works Gufler uses a silkscreen printing technique on mirrored glass in order to produce layers of translucent pigment.
“Gufler’s ‘mirrorical’ art passes through the looking glass; his spaces are traps for the gaze. The reflective surfaces and diaphanous scrims in his oeuvre function as projection screens and as obstacles in games of identification and disidentification; recognition and misrecognition; self-performance and self-alienation.“ Sven Lütticken. Designed by Sabo Day.















Produced on the occasion of the exhibition Parallelepipede & Trame Travail in situ by Daniel Buren at the Center for Contemporary Art, Kitakyushu, 1 – 19 December, 1997.