This publication was developed over a year and catalogues the photographs Fiona Connor takes as tools for making sculptures while also considering how she prints and uses these images in her studio. Over five thousand images have been edited and collated into stapled book blocks arranged chronologically. The photographs record sites, surfaces, and objects to enable a sculptural language that utilises processes of mimicry and reproduction. When seen together, they operate like a stream of consciousness recorded through the push of a fingertip on a phone screen.

A bestiary of agencies, kinds of relatings, and scores of time.

Henrik Olesen’s R.R. originates in his reading of Donna Haraway’s The Companion Species Manifesto. Through her, Olesen reimagines Robert Rauschenberg’s ‘Monogram’ using found images of interspecies attachments overlaid with painterly gestures that are both childish and fevered.

Printed on a lightweight, soft, ink-absorbing paper stock, these images are then partially overlaid with hand collaged tip-ins. In an edition of 65. Numbered and signed.

Produced on the occasion of A work for no public audience at Castello di Rivoli Museo d’Arte Contemporanea, (Rivoli), Torino. Handbound artist book with a title by CAConrad. 6 images inset in French folded computer paper. Edition of 65 + 20 AP

An artist book project made from printed material recycled from SculptureCenter’s offices and storage areas, produced onsite during a series of workshops in the gallery between June 7–16, 2019. Leftover printed material were mulched and soaked, then reconstituted in catalog-sized blocks that will function as the exhibition’s publication. They were subsequently screen-printed with a title (Fiona Connor, SculptureCenter) and the names of the workshop participants. Edition of 192.

For Langstme, Kunsthuis SYB’s 2021 triennale, Ash Kilmartin revisited her research on klokkenstoelen, notes and memories from her residency in 2019. The resulting thoughts turn around the traditional production of the bells, their historical functions and folklore in the village life around Beetsterzwaag, Friesland. Dutch translation by Caspar Stalenhoef. Designed by Linus Bonduelle/Studio Lieneman. The book is accompanied by a sound piece which can be listened to here.

A hand-printed book of texts and chine-collé/drypoint etchings, written, typeset and printed June 2022 at Frans Masereel Centrum, Kasterlee. What to do with a hunger for life? How to share an appetite for the small beauties that appear after loss? How to keep some for later? Produced in response to the form of the cookbook, Dorothy Iannone’s 1969/2019 A Cookbook in particular. Ash Kilmartin is a visual artist and radiomaker from Aotearoa New Zealand who lives in Rotterdam. She works in sculpture, performance, writing, audio and print, among other things. From May 2020 to March 2022, she opened the doors at a shop called LIFE. Edition of 25.