This handmade artist book was produced on the occasion of Jason Dodge’s exhibition at Grazer Kunstevrein, Graz, 22 June–24 August, 2024. In an edition of 200.

Hand-drawn artist’s book by Rotterdam-based artist Ilke Gers. Originally from Aotearoa New Zealand, Gers works with text, drawing, and publishing to explore the connections between the body, movement, and language.

A document of Ilke Gers’s work Index (2024–25). Produced on the occasion of the group exhibition Bold and Gritty at Stedelik Museum Schiedam, curated by Linda van der Vleuten and Bruce Tsar-Meu-Chong, 24 May–9 November, 2025. Edition of 200.

In the artist’s book My sweet little lamb, Mladen Stilinović deals with the relationship between language and reality and the resulting identity constellations. In doing so, he makes reference to Ludwig Wittgenstein’s “language-games,” where the simple use of linguistic elements is always intertwined with actions to gauge their actual meaning. The artist employs quotations from Wittgenstein’s “Tractatus Logico-Philosophicus” such as: “Everything we see could also be otherwise,” “Objects I can only name,” and “The limits of my language mean the limits of my world.” These sentences also relate to objects and actions that the artist witnessed on the street, such as a delivery van for meat with the image of a piglet printed on the outside and the accompanying slogan “My sweet little lamb.” Stilinović thereby questions the reality of what one sees in combination with its textual denotation in the sense of a “language-game.” This particular work refers to different religions and their eating customs in its specific naming of food.

Morning Sun was written for Simon Moretti’s Crocodile Cradle, a group exhibition held at Peer, London, from 20 February – 20 March, 2021.

Kahu is a native species of New Zealand, a predator bird, circling above a mountain range on the South Island.