A document of Ilke Gers’s work Index (2024–25). Produced on the occasion of the group exhibition Bold and Gritty at Stedelik Museum Schiedam, curated by Linda van der Vleuten and Bruce Tsar-Meu-Chong, 24 May–9 November, 2025. Edition of 200.

Produced on the occasion of the exhibition Image as Trace at Brunette Coleman, London, 26 April–31 May, 2025. Featuring Paride Maria Calvia, Nat Faulkner, Joyce Joumaa, Marietta Mavrokordatou and Kazuna Taguchi.

“Such images are indeed able to usurp reality because first of all a photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.” – Susan Sontag, On Photography

The artists in Image as Trace favour experiential techniques that aren’t subjected to traditional modes of photography. With a shared affinity for exposing their means of production, the works reveal Sontag’s image as trace – charting the material process of photography itself, as well as the imprints of time.

Designed by George Haughton.

Poster produced on the occasion of the launch of The Stuart Sherman Papers, published by Flat i, Amsterdam. Thursday, 5 June, 2025, at De Uitkijk, Amsterdam.

Designed by Robert Milne.

Image: Presentation of a round bar of wood by André Cadere, Galerie Yvon Lambert, Paris, 23 November–7 December 1975 in André Cadere: Peinture sans fin, Verlag der Buchhandlung Walther König, Köln, 2007, p. 75.

This publication accompanies Eyes, an exhibition presented in public space, featuring seven billboards across the city of Graz, each displaying compositions of eye makeup by Inge Grognard, photographed by Grognard herself backstage during the preparation of runway preparations and fashion shoots.

Inge Grognard is a pioneering Belgian makeup artist whose work has shaped avant-garde fashion for decades. As a teenager, she befriended Martin Margiela, an encounter that shaped both their creative paths, leading to a two-decade collaboration that helped define the raw, deconstructed aesthetic of Maison Martin Margiela. In the mid-1980s, Grognard became an integral force within the Antwerp Six, working closely with Dries Van Noten, Ann Demeulemeester, Walter Van Beirendonck, Dirk Bikkembergs, Dirk Van Saene, and Marina Yee.

Designed by Julie Peeters.

What does an oracle look like? gathers essays and drawings made by Perri MacKenzie between 2020 and 2024, themed loosely around pottery painting and vocal expression. The drawings, rendered in splashy India ink and collage, range from expressive sketches to theatrical still lives and experimental bandes dessinées. The book presents for the first time the essay Cathedral. Part memoir, part literary/sonic investigation, it meditates on the vocal texture of a Hollywood actor.

Designed by Ilke Gers.