VIND, 43:26 MIN.
Frederik Worm + Cæcilie Trier
Published by s/z, Copenhagen, 2025, 104 pp. (b/w ill.), 21 × 26 cm, English
Price: €23

Frederik Worm and Cæcilie Trier have collaborated since 2022, combining Worm’s photographic work with Trier’s musical compositions in the context of live performances and screenings. Following their initial tour in 2022, Cæcilie Trier developed the composition Vind (‘Wind’ in Danish), which later served as the basis for their collaborative video work Vind, 43:26 min.

As a publication, Vind, 43:26 min. presents Worm’s editorial notes and Trier’s musical notations and marks their first published book work. Designed by stanza with Frederik Worm.

#2025 #caecilietrier #frederikworm #sz #stanza
Scully’s Run
Frederik Worm
Published by s/z, Copenhagen, 2025, 104 pp. (colour & b/w ill.), 22 × 24 cm, English
Price: €32

Scully’s Run is a new photographic monograph by Frederik Worm, accompanied by texts from Dora Budor and Alexandra Symons-Sutcliffe. Through a series of subtle and sensous images, Worm constructs a visual language attuned to dislocation, attention and the fragility of spatial belonging. The publication considers the movement not only through space, but through the image itself as a conscious relational act. In a world where the conditions of ‘home’ feel increasingly unstable, Scully’s Run proposes a way of seeing that could be both resistant and tender. Designed by stanza.

#2025 #alexandrasymonssutcliffe #dorabudor #frederikworm #photography #sz #stanza
I Am Only the Housekeeper, but I Don’t Know…
Luca Lo Pinto, Olaf Nicolai
Published by Humboldt Books, Milan, 2025, 48 pp. (colour & b/w ill.), 24 × 34 cm, English
Price: €25

On the occasion of the 150th anniversary of the birth of Jože Plečnik (1872–1957), a key figure of the Modernist movement in architecture and creator of numerous buildings and monuments around the city of Ljubljana, in 2022 Luca Lo Pinto and Olaf Nicolai curated an exhibition titled I Am Only the Housekeeper, but I Don’t Know… in the Slovenian architect’s former home. The publication retraces the contemporary interventions undertaken by the curatorial duo, who invited twenty-five internationally recognised Slovenian and foreign artists, allowing them to enter the house through their own works to commemorate Plečnik’s oeuvre and place its reading into a different and more contemporary context.

Works by John Armleder, H. C. Artmann, Nairy Baghramian, Avi Beracha, Pierre Bismuth, Monica Bonvicini, Pablo Bronstein, Michael Dean, Jason Dodge, Hansi Fuchs, Lena Grossmann, Ana Kučan, Janette Laverrière, Enzo Mari, Hana Miletić, Carsten Nicolai, Saša Pavček, Julie Peeters, Manfred Pernice, Florian Pumhösl, Fabio Quaranta, Ana Roš, Giovanna Silva, Mladen Stilinović, Diamond Stingily, Sophie Thun.

Photography by Giovanna Silva. Graphic design by Julie Peeters with Laura Martens.

#2025 #anakucan #diamondstingily #enzomari #florianpumhosl #giovannasilva #hanamiletic #janettelaverriere #jasondodge #johnarmleder #juliepeeters #lucalopinto #manfredpernice #michaeldean #mladenstilinovic #nairybaghramian #olafnicolai #pablobronstein #pierrebismuth #sophiethun
Works From the Collection of Holly Van Houten
Published by Werkplaats Typografie, Arnhem, 2025, 92 pp. (colour & b/w ill.), 21 × 27.9 cm, English
Price: €15

Werkplaats Typografie presents a catalog of Works from the Collection of Holly van Houten. Spanning multiple decades and personally selected from around the world, the collection includes over a thousand items that memorialize the life of this candidly private, bohemian connoisseur. Carefully examined by our specialists, a curated selection of rarities, antiquities, oddities, and works of art is available in this catalog, which accompanied an exclusive auction held during Printed Matter’s LA Art Book Fair in May 2025 in Los Angeles, Van Houten’s beloved city.

Project led by Hannes Drißner, Lisa Lagova, Nuno Beijinho. Designed by Hannes Drißner, Lisa Lagova, Nuno Beijinho. Objects photographed by Augustinas Milkus and Jordi de Vetten.

#2025 #augustinasmilkus #hannesdrisner #jordidevetten #lisalagova #nunobeijinho #werkplaatstypografie
Jokes
Keston Sutherland
Published by The Last Books, Amsterdam, 2025, 96 pp., 16 × 24 cm, English
Price: €14

Jokes is a crash course in psychic disintegration for the genocide generation. Ever wondered what a spoonbill thinks of peremptory norms? Or what a hippo can do with an egg-slice? What’s the secret of the success of men like David Papazian and Johnnie Moore, who get to run the Gaza Humanitarian Foundation, while poetry-reading demographics, from the higher and intermediate managerial and professional occupations down to the footwells of unskilled manual self-erasure, lie around standing up for themselves and fornicating with the void? An Author’s a Joke, to all manner of Folk, wherever he pops up his Head, his Head, wherever he pops up his Head, according to Fielding. But why? The 27 jokes of Jokes unfold over the course of a duration-block, in an exclusive interior, under new management, in the capable trotters, paws, hooves, claws, tentacles, jaws, beaks, and blowholes of a fabulous parliament of beasts, some drunk, some dead, some leery, some high, some tender, in the tradition of Boccaccio or Isaiah. They are all funny.

#2025 #experimentalwriting #kestonsutherland #philbaber #poetry #thelastbooks
Pure Fiction
Published by Doubleyoutee Publishing, Arnhem, 2025, 128 pp. (b/w ill.), 11.1 × 18 cm, English
Price: €15

Pure Fiction is a reader that examines how fiction-based writing and narrative building functions in contemporary artistic context. Edited by Lisa Lagova and Manon Fraser with contributions by Susan Finlay, Manon Lutanie, Kristina Stallvik, Jonathan Blaschke, Nadia de Vries, Lisa Lagova, Ivan Cheng, Fadi Houmani, Nour Ben Said, Chris Kraus and Manon Fraser. Edited by Lisa Lagova and Manon Fraser. Designed by Lisa Lagova.

#2025 #chriskraus #doubleyouteepublishing #fadihoumani #fiction #ivancheng #jonathanblaschke #kristinastallvik #lisalagova #manonfraser #manonlutanie #nadiadevries #nourbensaid #susanfinlay #werkplaatstypografie