This publication contains the German philosopher Juliane Rebentisch’s seminal text Camp Materialism. Natural History in Jack Smith revised by the author and presented together with a new addendum A note on Camp Ridiculousness.

Produced on the occasion of the exhibition Hawkins Bolden: Tongues, at Robert Heald Gallery, Wellington, 25 June–2 July, 2020.

Hawkins Bolden (1914–2005) was a self-taught artist who lived his entire life in Memphis, TN. At the age of seven, Bolden was left completely blind following a baseball accident involving his twin brother. Later in life, he began scavenging the alleyways and fields around his home in search of discarded materials, litter and other debris with which to work.

More information on the exhibition can be found here and more information on Hawkins Bolden can be found here and here.

They will flee like chaff scattered by the wind or like dust whirling before a storm was produced as a commission by British artists Hannah Quinlan & Rosie Hastings for 1856, with proceeds going towards future programming.

This edition of two prints brings together the Michelangelo sketch, Archers Shooting at a Herm, with a scene of modern revolt against a hostile white police force, depicting the tense relationship between states of power and the LGBTQ+ community. Quinlan & Hastings’ diptych represents an unruly clash of registers such as the disciplining power of the state, here depicted in a moment of crisis, and the rebellious energy of the people who protest and occupy public spaces.

A special edition signed and numbered by the artists can be purchased directly from 1856, details can be found here.

Second volume of a two volume poem by Noelle Kocot.

Fivehundred places was founded in 2012 by Jason Dodge. With a single printing of 500 copies, each book will find itself in one of 500 places. On the cover of each book is a dead scissor by Paul Elliman.

First volume of a two volume poem by Noelle Kocot.

Fivehundred places was founded in 2012 by Jason Dodge. With a single printing of 500 copies, each book will find itself in one of 500 places. On the cover of each book is a dead scissor by Paul Elliman.

pool 4 is the title both of a performance and a book produced for MoMA, in which the artist Nora Turato collects language from a range of sources. These “pools” of texts, pulled from the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts, are assembled and arranged, with no logic or narrative structure, into a growing script that Turato memorizes and performs. The publication presented in the space serves simultaneously as prop, set, exhibition, archive, and artist’s book. Designed by Sabo Day.