“This work is installed when Ricardo Valentim gives a toast in the bar of The Ritz Four Season Hotel Lisbon. As conditions permit.”

“If you love contemporary art, particularly conceptual art, this promises to be an unforgettable experience unlike anything else you will find in Lisbon. We will be visiting five locations in the colourful neighbourhood of Graça, located in the heart of the city, where I currently live. This is also where the acclaimed French artist Daniel Buren presented his famous artwork Affichages Sauvages in 1980. Though it is considered an important work within the history of contemporary art produced in Portugal, it is virtually unknown among broad audiences. When Buren came to Lisbon forty years ago, he pasted posters bearing his signature stripes on the tiled walls of several Graça buildings. On this guided visit, we will see the sites where these no longer extant works were originally located, followed by a private viewing of one of the actual posters at my place near the breathtaking Miradouro da Graça. Refreshments will be served.”

You can see the Airbnb link here.

This publication contains the German philosopher Juliane Rebentisch’s seminal text Camp Materialism. Natural History in Jack Smith revised by the author and presented together with a new addendum A note on Camp Ridiculousness.

Produced on the occasion of the exhibition Hawkins Bolden: Tongues, at Robert Heald Gallery, Wellington, 25 June–2 July, 2020.

Hawkins Bolden (1914–2005) was a self-taught artist who lived his entire life in Memphis, TN. At the age of seven, Bolden was left completely blind following a baseball accident involving his twin brother. Later in life, he began scavenging the alleyways and fields around his home in search of discarded materials, litter and other debris with which to work.

More information on the exhibition can be found here and more information on Hawkins Bolden can be found here and here.

They will flee like chaff scattered by the wind or like dust whirling before a storm was produced as a commission by British artists Hannah Quinlan & Rosie Hastings for 1856, with proceeds going towards future programming.

This edition of two prints brings together the Michelangelo sketch, Archers Shooting at a Herm, with a scene of modern revolt against a hostile white police force, depicting the tense relationship between states of power and the LGBTQ+ community. Quinlan & Hastings’ diptych represents an unruly clash of registers such as the disciplining power of the state, here depicted in a moment of crisis, and the rebellious energy of the people who protest and occupy public spaces.

A special edition signed and numbered by the artists can be purchased directly from 1856, details can be found here.

Second volume of a two volume poem by Noelle Kocot.

Fivehundred places was founded in 2012 by Jason Dodge. With a single printing of 500 copies, each book will find itself in one of 500 places. On the cover of each book is a dead scissor by Paul Elliman.