Produced on the occasion of the survey exhibition, Charlotte Posenenske: Work in Progress at the Kunstsammlung Nordrhein-Westfalen, 30 May–2 August, 2020.

In the 1960s, parallel with American Minimalism and the emerging Conceptual Art, Charlotte Posenenske (1930–1985) developed an impressive body of minimalist works within just twelve years, thus demonstrating her innovative understanding of art. Although the artist, who worked in Frankfurt am Main, exhibited during her lifetime together with artists such as Carl Andre, Donald Judd, and Sol LeWitt, and, in 1967, had an exhibition in the gallery of Konrad Fischer in Düsseldorf, which had opened only shortly before, her contribution to the discourse of Minimalism and Conceptual Art remained largely ignored for a long time.

As part of his practice as an artist and professor Christopher Williams’ art is founded in historical research, and the manifestations of realism in relationship to theatrical, cinematic, and photographic production from the late 60s and early 70s in Germany. Thus he inevitably came across the plays of legendary German author Franz Xaver Kroetz, this first English language translation of his play Inklusive (1971) is the product of his curiosity. Inklusive consists of seven scenes of tightly scripted dialogue of a West German couple on a prepaid all-inclusive vacation package in Italy. It is the 2nd part of a new series of books edited, designed and produced by Christopher Williams.

Initiated and designed by Stepan Lipatov, based on the project by Karin Nurnberg Iturralde, a documentation and mapping of rucola growing wild in Amsterdam.

Produced on the occasion of R.H. Quaytman: The Sun Does Not Move, Chapter 35, Muzeum Sztuki, Lodz, a kind of conceptual retrospective, where the artist has re-read earlier Chapters of the constantly developed project, and returned to its origins closely related to Lodz and the works by Katarzyna Kobro and Wladyslaw Strzeminski. Apart from precisely selected works from earlier chapters, the exhibition has presented new paintings in which R.H. Quaytman continues her dialogue with the work of Polish artists and explores other aspects of her personal relationship with the Lodz museum.

Dovetail offers the first monographic overview of Kasper Bosmans’ oeuvre to date. The book is richly illustrated with photographs of individual works and exhibition views, including a collaboration with artist Marina Pinsky. With texts from Piero Bisello, Phillip Van den Bossche, Martin Germann, Zoë Gray & Julia Mullié.

Designed by Nerijus Rimkus.

When she started writing the Corona Tales, Chus Martínez had been weighing how people and the media were addressing the outbreak of the virus as an unprecedented disaster. One possible contribution, as curator and writer, would be to write a short story a day and post it on an Instagram account that many could access…