Produced on the occasion of Richard Tuttle’s exhibition Kill Someone: Arbeiten Auf Papier, at Christian Lethert, Köln, 6 September–31 October, 2019.
If winning can only occur in a competition between equal opponents, someone who isn’t equal will need to adopt a different strategy and let go of the promise, or the curse, of victory. Anna Zett takes up the challenge in this collection of personal science fiction, registering the traces systems of power leave in the body, in its locomotory, nervous and digestive systems. Zett’s voice appears in several textual guises, addressing authority, resistance, trauma and the physicality of language. Dedicated to the feminist revolution, the post-socialist subject of Artificial Gut Feeling questions logocentric and capitalist beliefs about the economy of meaning. This book gathers together fists, guts and brains to gain a deeper understanding of the non-verbal roots of dialogue.
Artist book with text drawings by Marc Nagtzaam, made between 1992 and 2019. Complementary to the writings, 24 artists contributions are inserted throughout the book. With contributions by Mark Manders, Louis Lüthi, Sue Tompkins, Stephan Keppel, Steve Van den Bosch, Nickel van Duijvenboden, Sophie Nys, Pierre Leguillon, Batia Suter, Experimental Jetset, Na Kim, Tim Hollander, Lily van der Stokker, Karin Herwegh, Karel Martens, Ruth Wolf-Rehfeldt, Kasper Andreasen, Jochen Lempert, gerlach en koop, Henri Jacobs, Anne-Mie Van Kerckhoven, Marijn van Kreij, and Willem Oorebeek.
As a continuation of the first Roma publication, SOME, dating from 1998, this book marks the 20+ years anniversary of Roma Publications. Designed by Marc Nagtzaam and Roger Willems. In an edition of 400, signed and numbered
Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman’s vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages. Born 1961. Paul Elliman lives and works in London.
Flyer produced on the occasion of Apropos Papier: Willem Oorebeek, Joëlle Tuerlinckx, Heimo Zobernig at the Leopold Hoesch Museum, 7 April–7 July, 2019
Apropos Papier is an exhibition series that started at the Leopold Hoesch Museum in 2018 to coincide with the reopening of the neighbouring Paper Museum in Düren. This series presents international artists whose work is characterised by the examination of paper, an important material for the city of Düren.
Kunstverein is essentially a curatorial office that offers lectures, presentations, screenings, and independent publishing. Because of its unconventional structure, it allows alternative methods to be considered in terms of presentation, hosting, and exhibition-making. This extensive anthology looks back at the past decade of their activity, from 2009 to 2019, and is filled with ephemera, images of performances and shows, bulletins, and much more. With contributions by Yana Foqué, Krist Gruijthuijsen, Anthony Huberman, and Maxine Kopsa.
Designed by Marc Hollenstein.
