A collection of 18 postcards of images from the remarkable oeuvre of the enigmatic Italian photographer Luigi Ghirri. Spanning 1970 to 1992, this curated selection includes many of his classic photographs, as well as lesser-known images.



















A collection of 18 postcards of images from the remarkable oeuvre of the enigmatic Italian photographer Luigi Ghirri. Spanning 1970 to 1992, this curated selection includes many of his classic photographs, as well as lesser-known images.



This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke’s thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
*Please note this publication is missing it’s original dust jacket.
Produced on the occasion of the exhibition An Autumn Lexicon at the Serpentine Gallery London, 29 September–20 November, 2016.


Produced on the occasion of the exhibition An Autumn Lexicon at the Serpentine Gallery London, 29 September–20 November, 2016.




Produced on the occasion of Manfred Pernice’s exhibition Tutti IV at the Haus der Kunst, München, 18 October 2013—21 September, 2014.




Produced on the occasion of the exhibition Adminstrate, at Artspeak, Vancouver, February 19–March 19, 2016. Curated by Anthony Huberman and Kim Nguyen and including the work of Jason Hirata, Garry Neill Kennedy and Laura Owens.
Documents the work The Letter E, 1980–2017, through reproductions of office correspondence created following the artist’s removal of the lower half of the letter ‘e’.
Designed by Erik Hood. Printed in an edition of 50 and signed by the artist.
You can find more on the work here.