Pamphlet produced on the occasion of the exhibition James Lee Byars – The Perfect Axis at Schloss Benrath, Düsseldorf, 11 September, 2010 – 16 January, 2011
*Please note this publication is secondhand and has some traces of previous ownership.
Pamphlet produced on the occasion of the exhibition James Lee Byars – The Perfect Axis at Schloss Benrath, Düsseldorf, 11 September, 2010 – 16 January, 2011
*Please note this publication is secondhand and has some traces of previous ownership.
Card produced on the occasion of the exhibition James Lee Byars – The Perfect Axis at Schloss Benrath, Düsseldorf, 11 September 2010 – 16 January 2011
*Please note this publication is secondhand and has some traces of previous ownership.
With contributions by Stuart Bertolotti-Bailey, Rob Giampietro, Anthony Huberman, J. Christopher Jones, Louis Kaplan, Edgar Allan Poe, Seth Price, David Reinfurt, David Senior and Giles Weaver.
Over the past few years, Dexter Sinister has been interested in exploring contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since the conception of their New York basement workshop and bookstore in the summer of 2006. These writings were previously published online as PDFs in the Library at www.dextersinister.org. They were primarily written by Dexter Sinister or by one of a circle of regular collaborators, often for their house journal Dot Dot Dot, or as supplements to other books or exhibitions.
One Million Years is originally a 20-volume collection, each volume contains 200 pages and each page holds 500 typed years. Created in 1969, One Million Years [Past] contains the years 998,031 B.C. through 1969 A.D., and One Million Years [Future], created in 1981, contains the years 1981 A.D. to 1,001,980 A.D. The first audio presentation of the reading of One Million Years occurred in 1993 during Kawara’s year-long solo exhibition One Thousand Days One Million Years at the Dia Center for the Arts in New York.
This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara’s One Million Years [Past and Future], covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.
Produced on the occasion of the exhibition Marc Camille Chaimowicz at Secession, Vienna, 20 November, 2009–24, January, 2010. Includes a folio of five looseleaf pattern sheets, a letter in facsimile and a catalogue with an essay by Silvia Eiblmayr.
Few artists have contributed seminal works to as many genres as Bruce Conner (1933–2008). An assemblage artist famed for his use of nylon stockings, he also pioneered the use of found footage and the high-speed film editing now familiar to us from MTV, and was one of the earliest filmmakers to use pop and soul music on his soundtracks. In the 1960s, Conner collaborated with Toni Basil (of “Mickey” fame) on his dance film Breakaway, and in the 1970s with Devo, David Byrne and Brian Eno on music videos. This publication examines the formal parallels between Conner’s works as an artist and filmmaker, and looks at drawings, oil and acrylic paintings, lithographs, prints, photograms and photographs alongside three of Conner’s best-known films: Breakaway (1966), Crossroads (1976), and Marilyn Times Five (1968–1973).